Une mise en musique de l’urgence et du nihilisme : la naissance du punk hardcore américain
American hardcore punk emerged in a particular context, that of American society in the 1970s and 1980s. Based on the two key concepts of urgency and nihilism, a meticulous musical analysis allows identifying several specific temporal devices which, within a consciously and skillfully altered musica...
保存先:
| 第一著者: | |
|---|---|
| フォーマット: | Article ou chapitre numérique |
| 言語: | Français |
| 出版事項: |
2024
|
| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | American hardcore punk emerged in a particular context, that of American society in the 1970s and 1980s. Based on the two key concepts of urgency and nihilism, a meticulous musical analysis allows identifying several specific temporal devices which, within a consciously and skillfully altered musical structure, articulate social expression musically, to such an extent that music seems to be its very embodiment, namely reality made music. |
|---|