François Doppler-Speranza

I first met Anne Waldman in Paris, at a Poets & Critics symposium in 20141. In June 2019, I was at Naropa University for the Summer Writing Program, trying to better understand the connection between Waldman, her work and the Jack Kerouac School of Disembodied Poetics. The Summer Writing P...

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Hlavní autor: Solot, Hélène
Médium: Article ou chapitre numérique
Jazyk:Français
Vydáno: 2023
On-line přístup:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RFEA_177_0133RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2023-4-page-133?lang=en https://doi.org/10.3917/rfea.177.0133 François Doppler-Speranza Solot, Hélène2023 fre Revue française d’études américaines | 177 | 4 | 2023-10-23 | p. 133-135 | 0397-7870 RFEA_17717 I first met Anne Waldman in Paris, at a Poets & Critics symposium in 20141. In June 2019, I was at Naropa University for the Summer Writing Program, trying to better understand the connection between Waldman, her work and the Jack Kerouac School of Disembodied Poetics. The Summer Writing Program has been the Jack Kerouac School’s central event ever since the first summer reading in 1974. It includes poetry readings and performances, master classes, panels and creative workshops. I participated in Waldman’s creative workshop and had informal exchanges with her about poetry. She also sat with me for a long interview which is published here. In this conversation, she goes over the history of the Jack Kerouac School and explains how important the Naropa community is to her. She also talks about her poetics and her work, referring in particular to Trickster Feminism2. Cairn restricted access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
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description I first met Anne Waldman in Paris, at a Poets & Critics symposium in 20141. In June 2019, I was at Naropa University for the Summer Writing Program, trying to better understand the connection between Waldman, her work and the Jack Kerouac School of Disembodied Poetics. The Summer Writing Program has been the Jack Kerouac School’s central event ever since the first summer reading in 1974. It includes poetry readings and performances, master classes, panels and creative workshops. I participated in Waldman’s creative workshop and had informal exchanges with her about poetry. She also sat with me for a long interview which is published here. In this conversation, she goes over the history of the Jack Kerouac School and explains how important the Naropa community is to her. She also talks about her poetics and her work, referring in particular to Trickster Feminism2.
author Solot, Hélène
spellingShingle Solot, Hélène
François Doppler-Speranza
author_facet Solot, Hélène
author_sort Solot, Hélène
title François Doppler-Speranza
title_short François Doppler-Speranza
title_full François Doppler-Speranza
title_fullStr François Doppler-Speranza
title_full_unstemmed François Doppler-Speranza
title_sort françois doppler-speranza
publishDate 2023
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2023-4-page-133?lang=en
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.177.0133
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