Subversions : Jazz, revue d’exil grivoise (Paris, 1924-1927)
Unlike the numerous studies devoted to the literature of the “Lost Generation,” many other printed materials, produced by or for the English-speaking communities in interwar Paris, have not received much scholarly attention. However, the study of these texts, which are often aimed at less intellec...
保存先:
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| フォーマット: | Article ou chapitre numérique |
| 言語: | Français |
| 出版事項: |
2023
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| 主題: | |
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | Unlike the numerous studies devoted to the literature of the “Lost Generation,” many other printed materials, produced by or for the English-speaking communities in interwar Paris, have not received much scholarly attention. However, the study of these texts, which are often aimed at less intellectual audiences, provides important information about Franco-Anglo-American cultural history. Jazz is one of them: a risqué magazine aimed at tourists, Jazz is a compound cultural object that evolved in a rich, cosmopolitan editorial environment, which it both reflects and helped to create. Through these fluidities, Jazz questions certain ways of classifying printed materials.
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