Vincent Broqua
Strange Interlude is a marathon play fusing together dialogue and thoughts spoken out loud in a unique, innovative dramatic object. This essay explores O’Neill’s ambition to represent the wholeness and fluidity of psychology, in order to investigate the ways in which this can be embodied on stage...
Enregistré dans:
| Auteur principal: | |
|---|---|
| Format: | Article ou chapitre numérique |
| Langue: | Français |
| Publié: |
2023
|
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
cairn-RFEA_174_0139 |
|---|---|
| record_format |
cairn |
| spelling |
cairn-RFEA_174_0139RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2023-1-page-139?lang=fr https://doi.org/10.3917/rfea.174.0139 Vincent Broqua Kalck, Xavier2023 fre Revue française d’études américaines | 174 | 1 | 2023-02-24 | p. 139-141 | 0397-7870 RFEA_17485 Strange Interlude is a marathon play fusing together dialogue and thoughts spoken out loud in a unique, innovative dramatic object. This essay explores O’Neill’s ambition to represent the wholeness and fluidity of psychology, in order to investigate the ways in which this can be embodied on stage in various production styles, from the play’s initial triumph to its relative abandonment, and then to a fresh wave of interest in the 21st century, reclaiming the play as experimental ground. Cairn restricted access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Strange Interlude is a marathon play fusing together dialogue and thoughts spoken out loud in a unique, innovative dramatic object. This essay explores O’Neill’s ambition to represent the wholeness and fluidity of psychology, in order to investigate the ways in which this can be embodied on stage in various production styles, from the play’s initial triumph to its relative abandonment, and then to a fresh wave of interest in the 21st century, reclaiming the play as experimental ground.
|
| author |
Kalck, Xavier |
| spellingShingle |
Kalck, Xavier Vincent Broqua |
| author_facet |
Kalck, Xavier |
| author_sort |
Kalck, Xavier |
| title |
Vincent Broqua |
| title_short |
Vincent Broqua |
| title_full |
Vincent Broqua |
| title_fullStr |
Vincent Broqua |
| title_full_unstemmed |
Vincent Broqua |
| title_sort |
vincent broqua |
| publishDate |
2023 |
| container_title |
|
| container_issue |
|
| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2023-1-page-139?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.174.0139 |
| _version_ |
1877246552323391488 |