« Working Thru These Bullshit White People » : l’histoire éditoriale de l’anthologie Black Fire, entre conformité et subversion
This article traces the editorial circumstances in which the anthology Black Fire, milestone of the Black Arts Movement, was published. The anthologists insisted on the existence of racial tensions when the book was released, tensions which were real but which were also part of broader editorial neg...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Article ou chapitre numérique |
| اللغة: | Français |
| منشور في: |
2022
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | This article traces the editorial circumstances in which the anthology Black Fire, milestone of the Black Arts Movement, was published. The anthologists insisted on the existence of racial tensions when the book was released, tensions which were real but which were also part of broader editorial negotiations, all the more so since the very form of the anthology seemed to thwart a revolutionary ambition. |
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