Anthony Marra, ou les détours de l’émotion censurée
Anthony Marra uses the genre of a short story cycle to create a collection expressing repressed emotions under various forms of censorship spanning over seventy years, from the era of the USSR to contemporary Russia and Chechnya. The literary techniques he uses to achieve this end are the object of...
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| Médium: | Article ou chapitre numérique |
| Jazyk: | Français |
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2019
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_161_0096 |
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cairn |
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cairn-RFEA_161_0096RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2019-4-page-96?lang=fr https://doi.org/10.3917/rfea.161.0096 Anthony Marra, ou les détours de l’émotion censurée Palleau-Papin, Françoise2019 affectAnthony Marracensureekphrasishistoirehypermnésieironiepalimpsestesimulacresouvenir-écranThe Tsar of Love and Technofre Revue française d’études américaines | 161 | 4 | 2019-10-29 | p. 96-107 | 0397-7870 RFEA_16190 Anthony Marra uses the genre of a short story cycle to create a collection expressing repressed emotions under various forms of censorship spanning over seventy years, from the era of the USSR to contemporary Russia and Chechnya. The literary techniques he uses to achieve this end are the object of this study, ranging from his use of paratext, his irony, his network of images or screen memories, among other means to express taboo emotions. These processes all enhance the combinatory activity of readers, who participate in orchestrating the repressed humanity of characters surviving, or not, in the midst of the general absurdity of their times.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
affect Anthony Marra censure ekphrasis histoire hypermnésie ironie palimpseste simulacre souvenir-écran The Tsar of Love and Techno |
| spellingShingle |
affect Anthony Marra censure ekphrasis histoire hypermnésie ironie palimpseste simulacre souvenir-écran The Tsar of Love and Techno Palleau-Papin, Françoise Anthony Marra, ou les détours de l’émotion censurée |
| topic_facet |
affect Anthony Marra censure ekphrasis histoire hypermnésie ironie palimpseste simulacre souvenir-écran The Tsar of Love and Techno |
| description |
Anthony Marra uses the genre of a short story cycle to create a collection expressing repressed emotions under various forms of censorship spanning over seventy years, from the era of the USSR to contemporary Russia and Chechnya. The literary techniques he uses to achieve this end are the object of this study, ranging from his use of paratext, his irony, his network of images or screen memories, among other means to express taboo emotions. These processes all enhance the combinatory activity of readers, who participate in orchestrating the repressed humanity of characters surviving, or not, in the midst of the general absurdity of their times. |
| author |
Palleau-Papin, Françoise |
| author_facet |
Palleau-Papin, Françoise |
| author_sort |
Palleau-Papin, Françoise |
| title |
Anthony Marra, ou les détours de l’émotion censurée |
| title_short |
Anthony Marra, ou les détours de l’émotion censurée |
| title_full |
Anthony Marra, ou les détours de l’émotion censurée |
| title_fullStr |
Anthony Marra, ou les détours de l’émotion censurée |
| title_full_unstemmed |
Anthony Marra, ou les détours de l’émotion censurée |
| title_sort |
anthony marra, ou les détours de l’émotion censurée |
| publishDate |
2019 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2019-4-page-96?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.161.0096 |
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