De la gargouille au monstre de foire : poétique de l’excroissance dans The Man Who Had Three Arms d’Edward Albee
Acknowledged by its author as “one of his most spectacular commercial disasters”, Edward Albee’s The Man Who Had Three Arms introduces a bitter acrimonious conference speaker who encountered fame and success thanks to a now resorbed and regretted third arm. If theatre is etymologically a genre dev...
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
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2019
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |