« In the End of Commentary » — 300,000,000 de Blake Butler, ou la fiction absolue

This essay questions the narrative regime developed by Blake Butler’s 300,000,000 and aims to show that the reflexivity that the text builds upon downplays rather than enhances the hermeneutic approach. If the text constantly feeds back upon itself in order to reflect (upon) its own gestures and mo...

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מחבר ראשי: Vanderhaeghe, Stéphane
פורמט: Article ou chapitre numérique
שפה:Français
יצא לאור: 2019
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גישה מקוונת:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RFEA_159_0038RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2019-2-page-38?lang=fr https://doi.org/10.3917/rfea.159.0038 « In the End of Commentary » — 300,000,000 de Blake Butler, ou la fiction absolue Vanderhaeghe, Stéphane2019 000300Blake Butlerobjetrelationspéculationfre Revue française d’études américaines | 159 | 2 | 2019-05-13 | p. 38-49 | 0397-7870 RFEA_15947 This essay questions the narrative regime developed by Blake Butler’s 300,000,000 and aims to show that the reflexivity that the text builds upon downplays rather than enhances the hermeneutic approach. If the text constantly feeds back upon itself in order to reflect (upon) its own gestures and moves as well as its very inscription on the page, its aim is to undo any sort of relation to reading conceived of as a grasping mode and to underlie instead some form of absolute (or “severance” in its etymological sense recalled by Quentin Meillassoux) perceptible in the diverse ways the text eludes any readerly grasp. As it obfuscates its many leads, as it warps the syntax to opacify its own discourse, as it also renders problematic any analytical understanding of the text, 300,000,000 rather consists in some sort of speculative fiction understood philosophically, whose main characteristic would be to interrogate the very status of the text-as-object.Cairn free access
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Vanderhaeghe, Stéphane
« In the End of Commentary » — 300,000,000 de Blake Butler, ou la fiction absolue
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Blake Butler
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description This essay questions the narrative regime developed by Blake Butler’s 300,000,000 and aims to show that the reflexivity that the text builds upon downplays rather than enhances the hermeneutic approach. If the text constantly feeds back upon itself in order to reflect (upon) its own gestures and moves as well as its very inscription on the page, its aim is to undo any sort of relation to reading conceived of as a grasping mode and to underlie instead some form of absolute (or “severance” in its etymological sense recalled by Quentin Meillassoux) perceptible in the diverse ways the text eludes any readerly grasp. As it obfuscates its many leads, as it warps the syntax to opacify its own discourse, as it also renders problematic any analytical understanding of the text, 300,000,000 rather consists in some sort of speculative fiction understood philosophically, whose main characteristic would be to interrogate the very status of the text-as-object.
author Vanderhaeghe, Stéphane
author_facet Vanderhaeghe, Stéphane
author_sort Vanderhaeghe, Stéphane
title « In the End of Commentary » — 300,000,000 de Blake Butler, ou la fiction absolue
title_short « In the End of Commentary » — 300,000,000 de Blake Butler, ou la fiction absolue
title_full « In the End of Commentary » — 300,000,000 de Blake Butler, ou la fiction absolue
title_fullStr « In the End of Commentary » — 300,000,000 de Blake Butler, ou la fiction absolue
title_full_unstemmed « In the End of Commentary » — 300,000,000 de Blake Butler, ou la fiction absolue
title_sort « in the end of commentary » — 300,000,000 de blake butler, ou la fiction absolue
publishDate 2019
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2019-2-page-38?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.159.0038
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