« D’un monde à l’autre : l’art de la métalepse selon David Foster Wallace »

David Foster Wallace’s use of metalepsis does not corrupt the essence of mimetic illusion but rather tests the authenticity of the author-reader relationship. His story ‘Octet’ aims at conflating the spheres of narration, reading and writing in order to shape new hermeneutic pathways. The story feat...

Deskribapen osoa

Gorde:
Xehetasun bibliografikoak
Egile nagusia: Vivier, Sigolène
Formatua: Article ou chapitre numérique
Hizkuntza:Français
Argitaratua: 2019
Gaiak:
Sarrera elektronikoa:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
Deskribapena
Gaia:David Foster Wallace’s use of metalepsis does not corrupt the essence of mimetic illusion but rather tests the authenticity of the author-reader relationship. His story ‘Octet’ aims at conflating the spheres of narration, reading and writing in order to shape new hermeneutic pathways. The story features a writer figure who stages the loss of his privileges in order to let the agency of his readership emerge; yet the latter sometimes appears more manipulated than empowered.