« D’un monde à l’autre : l’art de la métalepse selon David Foster Wallace »
David Foster Wallace’s use of metalepsis does not corrupt the essence of mimetic illusion but rather tests the authenticity of the author-reader relationship. His story ‘Octet’ aims at conflating the spheres of narration, reading and writing in order to shape new hermeneutic pathways. The story feat...
محفوظ في:
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| التنسيق: | Article ou chapitre numérique |
| اللغة: | Français |
| منشور في: |
2019
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | David Foster Wallace’s use of metalepsis does not corrupt the essence of mimetic illusion but rather tests the authenticity of the author-reader relationship. His story ‘Octet’ aims at conflating the spheres of narration, reading and writing in order to shape new hermeneutic pathways. The story features a writer figure who stages the loss of his privileges in order to let the agency of his readership emerge; yet the latter sometimes appears more manipulated than empowered. |
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