Mutations de la métafiction
At a time, in the summer of 1941, when an unprecedented wave of social protest was threatening the very foundations of the Disney Empire and damaging it public image, Walt Disney was appointed an official « goodwill ambassador » by the Roosevelt Administration. His mission was to travel across Lati...
Guardat en:
| Autor principal: | |
|---|---|
| Format: | Article ou chapitre numérique |
| Idioma: | Français |
| Publicat: |
2019
|
| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
cairn-RFEA_159_0003 |
|---|---|
| record_format |
cairn |
| spelling |
cairn-RFEA_159_0003RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2019-2-page-3?lang=fr https://doi.org/10.3917/rfea.159.0003 Mutations de la métafiction Chupin, Yannicke2019 fre Revue française d’études américaines | 159 | 2 | 2019-05-13 | p. 3-9 | 0397-7870 RFEA_15944 At a time, in the summer of 1941, when an unprecedented wave of social protest was threatening the very foundations of the Disney Empire and damaging it public image, Walt Disney was appointed an official « goodwill ambassador » by the Roosevelt Administration. His mission was to travel across Latin America and contribute to the political rapprochement between both Americas in order to obstruct the Nazis' propaganda machine. His mission's success was undisputable as it boosted the Pan-American agenda of the Office of the Coordinator of Inter-American Affairs (OCIAA) — the United States international indirect film propaganda programs — while it also reinforced Walt Disney's already significant cultural influence in Latin America.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
At a time, in the summer of 1941, when an unprecedented wave of social protest was threatening the very foundations of the Disney Empire and damaging it public image, Walt Disney was appointed an official « goodwill ambassador » by the Roosevelt Administration. His mission was to travel across Latin America and contribute to the political rapprochement between both Americas in order to obstruct the Nazis' propaganda machine. His mission's success was undisputable as it boosted the Pan-American agenda of the Office of the Coordinator of Inter-American Affairs (OCIAA) — the United States international indirect film propaganda programs — while it also reinforced Walt Disney's already significant cultural influence in Latin America. |
| author |
Chupin, Yannicke |
| spellingShingle |
Chupin, Yannicke Mutations de la métafiction |
| author_facet |
Chupin, Yannicke |
| author_sort |
Chupin, Yannicke |
| title |
Mutations de la métafiction |
| title_short |
Mutations de la métafiction |
| title_full |
Mutations de la métafiction |
| title_fullStr |
Mutations de la métafiction |
| title_full_unstemmed |
Mutations de la métafiction |
| title_sort |
mutations de la métafiction |
| publishDate |
2019 |
| container_title |
|
| container_issue |
|
| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2019-2-page-3?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.159.0003 |
| _version_ |
1877246551709974528 |