Le bonheur en Amérique, des Lumières aux dystopies ?

This article aims to identify the contributions of Steve Reich’s music to sociology. His music reveals three main characteristics: it is made out of empirical material collected on the field; it is a theory of processes; it is a political and cultural act. Steve Reich’s music affects sociology on th...

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Auteurs principaux: Dupont, Jocelyn, Rossignol, Marie-Jeanne, Specq, François
Formato: Article ou chapitre numérique
Idioma:Français
Publicado: 2019
Acceso en liña:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RFEA_157_0003RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2018-4-page-3?lang=fr https://doi.org/10.3917/rfea.157.0003 Le bonheur en Amérique, des Lumières aux dystopies ? Dupont, JocelynRossignol, Marie-JeanneSpecq, François2019 fre Revue française d’études américaines | 157 | 4 | 2019-02-15 | p. 3-11 | 0397-7870 RFEA_157100 This article aims to identify the contributions of Steve Reich’s music to sociology. His music reveals three main characteristics: it is made out of empirical material collected on the field; it is a theory of processes; it is a political and cultural act. Steve Reich’s music affects sociology on these three points: it reminds the sociologist of the nature of his craft and his commitment to the social world, questions his methods and practice; it even sheds light on his own concepts (in particular that of “process”). The author proposes to extract from Steve Reich’s compositional work some useful elements for the profession of sociologist.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description This article aims to identify the contributions of Steve Reich’s music to sociology. His music reveals three main characteristics: it is made out of empirical material collected on the field; it is a theory of processes; it is a political and cultural act. Steve Reich’s music affects sociology on these three points: it reminds the sociologist of the nature of his craft and his commitment to the social world, questions his methods and practice; it even sheds light on his own concepts (in particular that of “process”). The author proposes to extract from Steve Reich’s compositional work some useful elements for the profession of sociologist.
author Dupont, Jocelyn
Rossignol, Marie-Jeanne
Specq, François
spellingShingle Dupont, Jocelyn
Rossignol, Marie-Jeanne
Specq, François
Le bonheur en Amérique, des Lumières aux dystopies ?
author_facet Dupont, Jocelyn
Rossignol, Marie-Jeanne
Specq, François
author_sort Dupont, Jocelyn
title Le bonheur en Amérique, des Lumières aux dystopies ?
title_short Le bonheur en Amérique, des Lumières aux dystopies ?
title_full Le bonheur en Amérique, des Lumières aux dystopies ?
title_fullStr Le bonheur en Amérique, des Lumières aux dystopies ?
title_full_unstemmed Le bonheur en Amérique, des Lumières aux dystopies ?
title_sort le bonheur en amérique, des lumières aux dystopies ?
publishDate 2019
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2018-4-page-3?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.157.0003
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