Introduction
Terrence Malick’s Days of Heaven (1978), Michael Cimino’s Heaven’s Gate (1980) and John Sayles’ Matewan (1987) differ greatly in their cinematographic and aesthetic projects. Yet all share a similar calling into question of the pastoral ideal as the cradle of the American cultural and political i...
Guardat en:
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| Format: | Article ou chapitre numérique |
| Idioma: | Français |
| Publicat: |
2016
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| Accés en línia: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |