Chloé Maurel. Manuel d’histoire globale Paris : Armand Colin, 2014. 215 p.

Chloé Maurel. Manuel d’histoire globale Paris : Armand Colin, 2014. 215 p.

Terrence Malick’s Days of Heaven (1978), Michael Cimino’s Heaven’s Gate (1980) and John Sayles’ Matewan (1987) differ greatly in their cinematographic and aesthetic projects. Yet all share a similar calling into question of the pastoral ideal as the cradle of the American cultural and political i...

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Glavni autor: Guerlain, Pierre
Format: Article ou chapitre numérique
Jezik:Français
Izdano: 2015
Online pristup:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RFEA_142_0122bRFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2015-1-page-122b?lang=en https://doi.org/10.3917/rfea.142.0122b Chloé Maurel. Manuel d’histoire globale Paris : Armand Colin, 2014. 215 p. Guerlain, Pierre2015 fre Revue française d’études américaines | 142 | 1 | 2015-10-02 | p. 122b-124b | 0397-7870 RFEA_14244 Terrence Malick’s Days of Heaven (1978), Michael Cimino’s Heaven’s Gate (1980) and John Sayles’ Matewan (1987) differ greatly in their cinematographic and aesthetic projects. Yet all share a similar calling into question of the pastoral ideal as the cradle of the American cultural and political imagination. Operating on vastly different scales and production contexts, the three movies nonetheless converge towards a rehabilitation of the American pastoral imagination in the disenchanted context of the late 1970s or the triumphant materialism of the Reagan years. What this article examines is how these films reappropriate the pastoral mode as a means of reevaluating an artistic, historic and generic heritage, while challenging narrative and aesthetic practices, ultimately investigating and investing new forms of artistic and political involvements.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Terrence Malick’s Days of Heaven (1978), Michael Cimino’s Heaven’s Gate (1980) and John Sayles’ Matewan (1987) differ greatly in their cinematographic and aesthetic projects. Yet all share a similar calling into question of the pastoral ideal as the cradle of the American cultural and political imagination. Operating on vastly different scales and production contexts, the three movies nonetheless converge towards a rehabilitation of the American pastoral imagination in the disenchanted context of the late 1970s or the triumphant materialism of the Reagan years. What this article examines is how these films reappropriate the pastoral mode as a means of reevaluating an artistic, historic and generic heritage, while challenging narrative and aesthetic practices, ultimately investigating and investing new forms of artistic and political involvements.
author Guerlain, Pierre
spellingShingle Guerlain, Pierre
Chloé Maurel. Manuel d’histoire globale Paris : Armand Colin, 2014. 215 p.
author_facet Guerlain, Pierre
author_sort Guerlain, Pierre
title Chloé Maurel. Manuel d’histoire globale Paris : Armand Colin, 2014. 215 p.
title_short Chloé Maurel. Manuel d’histoire globale Paris : Armand Colin, 2014. 215 p.
title_full Chloé Maurel. Manuel d’histoire globale Paris : Armand Colin, 2014. 215 p.
title_fullStr Chloé Maurel. Manuel d’histoire globale Paris : Armand Colin, 2014. 215 p.
title_full_unstemmed Chloé Maurel. Manuel d’histoire globale Paris : Armand Colin, 2014. 215 p.
title_sort chloé maurel. manuel d’histoire globale paris : armand colin, 2014. 215 p.
publishDate 2015
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2015-1-page-122b?lang=en
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.142.0122b
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