Grégoire Halbout, La comédie screwball hollywoodienne, 1934-1945, Artois Presses Université, 2013
Focusing on Stigmata, Phillys Alesia Perry’s neo slave narrative, this article shows how the shock effects of slavery have been affecting the black women of the same family for over a hundred years, as memory re-emerges on the very body of the female protagonist, which appears as the site of persis...
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| Formato: | Article ou chapitre numérique |
| Idioma: | Français |
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2015
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_139_0112g |
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cairn-RFEA_139_0112gRFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2014-2-page-112g?lang=fr https://doi.org/10.3917/rfea.139.0112g Grégoire Halbout, La comédie screwball hollywoodienne, 1934-1945, Artois Presses Université, 2013 Schmitt-Pitiot, Isabelle2015 fre Revue française d’études américaines | 139 | 2 | 2015-02-03 | p. 112g-124g | 0397-7870 RFEA_13985 Focusing on Stigmata, Phillys Alesia Perry’s neo slave narrative, this article shows how the shock effects of slavery have been affecting the black women of the same family for over a hundred years, as memory re-emerges on the very body of the female protagonist, which appears as the site of persisting trauma. As it analyses the way the original trauma is inscribed within the intimate territory, it also considers the creative means which could permit to break the infernal circle of an eternal post-traumatic repetition.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Focusing on Stigmata, Phillys Alesia Perry’s neo slave narrative, this article shows how the shock effects of slavery have been affecting the black women of the same family for over a hundred years, as memory re-emerges on the very body of the female protagonist, which appears as the site of persisting trauma. As it analyses the way the original trauma is inscribed within the intimate territory, it also considers the creative means which could permit to break the infernal circle of an eternal post-traumatic repetition. |
| author |
Schmitt-Pitiot, Isabelle |
| spellingShingle |
Schmitt-Pitiot, Isabelle Grégoire Halbout, La comédie screwball hollywoodienne, 1934-1945, Artois Presses Université, 2013 |
| author_facet |
Schmitt-Pitiot, Isabelle |
| author_sort |
Schmitt-Pitiot, Isabelle |
| title |
Grégoire Halbout, La comédie screwball hollywoodienne, 1934-1945, Artois Presses Université, 2013 |
| title_short |
Grégoire Halbout, La comédie screwball hollywoodienne, 1934-1945, Artois Presses Université, 2013 |
| title_full |
Grégoire Halbout, La comédie screwball hollywoodienne, 1934-1945, Artois Presses Université, 2013 |
| title_fullStr |
Grégoire Halbout, La comédie screwball hollywoodienne, 1934-1945, Artois Presses Université, 2013 |
| title_full_unstemmed |
Grégoire Halbout, La comédie screwball hollywoodienne, 1934-1945, Artois Presses Université, 2013 |
| title_sort |
grégoire halbout, la comédie screwball hollywoodienne, 1934-1945, artois presses université, 2013 |
| publishDate |
2015 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2014-2-page-112g?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.139.0112g |
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1877246550720118784 |