Introduction

If The Age of Wire and String by Ben Marcus will not easily be tamed, it might be because in the bricolage of its very writing something keeps eluding its reading. To paraphrase the opening of the text, The Age of Wire and String does not offer itself up to the reading act so much as, from the out...

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Huvudupphovsman: Jenn, Ronald
Materialtyp: Article ou chapitre numérique
Språk:Français
Publicerad: 2015
Länkar:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RFEA_138_0003RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2014-1-page-3?lang=fr https://doi.org/10.3917/rfea.138.0003 Introduction Jenn, Ronald2015 fre Revue française d’études américaines | 138 | 1 | 2015-01-15 | p. 3-9 | 0397-7870 RFEA_13851 If The Age of Wire and String by Ben Marcus will not easily be tamed, it might be because in the bricolage of its very writing something keeps eluding its reading. To paraphrase the opening of the text, The Age of Wire and String does not offer itself up to the reading act so much as, from the outset it aims to “read itself” in the course of what, for the nonce, might be called an “autography,” short-circuiting all connection with its reading. What is thus implemented is a strategy of resistance, faced with which the reader happens to wander in a language terrain that remains alien—a language severed from the possibility of inheriting it, the usufruct of which the reader cannot enjoy. The text, in the fictionalizing of its very language, thus subsides in the very act, or the performance of its writing—a writing without destination, thus forcing the reader to reconsider most of the conventions on which reading is grounded.Cairn free access
language Français
format Article ou chapitre numérique
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description If The Age of Wire and String by Ben Marcus will not easily be tamed, it might be because in the bricolage of its very writing something keeps eluding its reading. To paraphrase the opening of the text, The Age of Wire and String does not offer itself up to the reading act so much as, from the outset it aims to “read itself” in the course of what, for the nonce, might be called an “autography,” short-circuiting all connection with its reading. What is thus implemented is a strategy of resistance, faced with which the reader happens to wander in a language terrain that remains alien—a language severed from the possibility of inheriting it, the usufruct of which the reader cannot enjoy. The text, in the fictionalizing of its very language, thus subsides in the very act, or the performance of its writing—a writing without destination, thus forcing the reader to reconsider most of the conventions on which reading is grounded.
author Jenn, Ronald
spellingShingle Jenn, Ronald
Introduction
author_facet Jenn, Ronald
author_sort Jenn, Ronald
title Introduction
title_short Introduction
title_full Introduction
title_fullStr Introduction
title_full_unstemmed Introduction
title_sort introduction
publishDate 2015
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2014-1-page-3?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.138.0003
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