« The Mental Portfolio of an Eurasian » : Edith Maude Eaton/Sui Sin Far, double héritage ou double dépossession?
Widely recognized today as the foremother of Chinese American letters, Sui Sin Far testifies in her writings to the irreducible tensions arising from her own bi-racial legacy, and to her complex positioning within the dominant Eurocentric tradition of American literature. Although she saw herself as...
محفوظ في:
| المؤلف الرئيسي: | |
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| التنسيق: | Article ou chapitre numérique |
| اللغة: | Français |
| منشور في: |
2014
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| الموضوعات: | |
| الوصول للمادة أونلاين: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| الملخص: | Widely recognized today as the foremother of Chinese American letters, Sui Sin Far testifies in her writings to the irreducible tensions arising from her own bi-racial legacy, and to her complex positioning within the dominant Eurocentric tradition of American literature. Although she saw herself as a “connecting link [between] Occidentals and Orientals,” her texts call into question this optimistic sense of a hyphenated identity. In contrast to the assertive verticality that is associated with the notion of heritage, Edith Maude Eaton/Sui Sin Far’s autobiographical and fictional works define a space of wavering in-betweenness whereby double inheritance ultimately proves to be double dispossession. |
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