Introduction

N. T. Binh is mainly known as a film critic for Positif under the name of Yann Tobin. He started writing for the film journal in 1979, at a time when he was a medical student. He went on writing for Positif, while working as a freelance operator in several positions. He was first an independent pr...

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Auteurs principaux: Imbert, Michel, Savin, Ada
Format: Article ou chapitre numérique
Langue:Français
Publié: 2014
Accès en ligne:Accès Université d'Orléans et IFPM
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spelling cairn-RFEA_137_0003RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2013-3-page-3?lang=fr https://doi.org/10.3917/rfea.137.0003 Introduction Imbert, MichelSavin, Ada2014 fre Revue française d’études américaines | 137 | 3 | 2014-04-29 | p. 3-8 | 0397-7870 RFEA_13730 N. T. Binh is mainly known as a film critic for Positif under the name of Yann Tobin. He started writing for the film journal in 1979, at a time when he was a medical student. He went on writing for Positif, while working as a freelance operator in several positions. He was first an independent producer of scientific and corporate films for the company Binôme that he had himself created. He then became an author of books on the cinema, a professor (as a visiting industry expert at the universities of Rennes, Louvain-la-Neuve, and Paris 1 Panthéon-Sorbonne), a director of documentaries, a co-writer or script doctor on several projects, a distributor (for three years, at Les Grands Films Classiques), and an exhibitor (for two years, in a Parisian art/repertory theater). Recently, he has been the curator of various exhibitions in Paris.His cinephilic interests started with the Hollywood classic era. This taste, which he shares with Positif in general, together with his knowledge of the French cinema industry and the independent film markets, gives him a vantage point on independence in the cinema.Cairn free access
language Français
format Article ou chapitre numérique
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description N. T. Binh is mainly known as a film critic for Positif under the name of Yann Tobin. He started writing for the film journal in 1979, at a time when he was a medical student. He went on writing for Positif, while working as a freelance operator in several positions. He was first an independent producer of scientific and corporate films for the company Binôme that he had himself created. He then became an author of books on the cinema, a professor (as a visiting industry expert at the universities of Rennes, Louvain-la-Neuve, and Paris 1 Panthéon-Sorbonne), a director of documentaries, a co-writer or script doctor on several projects, a distributor (for three years, at Les Grands Films Classiques), and an exhibitor (for two years, in a Parisian art/repertory theater). Recently, he has been the curator of various exhibitions in Paris.His cinephilic interests started with the Hollywood classic era. This taste, which he shares with Positif in general, together with his knowledge of the French cinema industry and the independent film markets, gives him a vantage point on independence in the cinema.
author Imbert, Michel
Savin, Ada
spellingShingle Imbert, Michel
Savin, Ada
Introduction
author_facet Imbert, Michel
Savin, Ada
author_sort Imbert, Michel
title Introduction
title_short Introduction
title_full Introduction
title_fullStr Introduction
title_full_unstemmed Introduction
title_sort introduction
publishDate 2014
container_title
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url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2013-3-page-3?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.137.0003
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