Les frères Coen, cinéastes indépendants : l'importance d'une indépendance scénaristique
The Coen Brothers have been labeled as independent filmmakers ever since they started their career in the middle of the 1980s, and are still considered independent today in spite of their frequent collaborations with the Hollywood studios. This status, quite uncommon in Hollywood, of “emancipated” d...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
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| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Français |
| প্রকাশিত: |
2014
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_136_0028 |
|---|---|
| record_format |
cairn |
| spelling |
cairn-RFEA_136_0028RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2013-2-page-28?lang=fr https://doi.org/10.3917/rfea.136.0028 Les frères Coen, cinéastes indépendants : l'importance d'une indépendance scénaristique Assouly, Julie2014 cinéma indépendantCircle Filmsdistributionfrères CoenNouvel HollywoodproductionSam Raimiscénarioscénaristestudio independentWorking TitleCircle filmsCoen brothersdistributionindependent cinemaNew HollywoodproductionSam Raimiscreenwriterscriptstudio independentWorking Titlefre Revue française d’études américaines | 136 | 2 | 2014-02-01 | p. 28-39 | 0397-7870 RFEA_1369 The Coen Brothers have been labeled as independent filmmakers ever since they started their career in the middle of the 1980s, and are still considered independent today in spite of their frequent collaborations with the Hollywood studios. This status, quite uncommon in Hollywood, of “emancipated” directors, is made clear through their aesthetic and, to a lesser extent, ideological independence. Their position as directors/producers/screenwriters/editors also provides them with what I will call their “screenwriting independence”. Nevertheless, the questioning of their independent status over the last ten years seems to be related to the financing of some of their films. To what extent are the Coen brothers still independent filmmakers when they collaborate with majors? How does their status as director-writers participate in their independence? Eventually, can we consider the possibility of an alternative way in which the Coens could appear as precursors?Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
cinéma indépendant Circle Films distribution frères Coen Nouvel Hollywood production Sam Raimi scénario scénariste studio independent Working Title Circle films Coen brothers distribution independent cinema New Hollywood production Sam Raimi screenwriter script studio independent Working Title |
| spellingShingle |
cinéma indépendant Circle Films distribution frères Coen Nouvel Hollywood production Sam Raimi scénario scénariste studio independent Working Title Circle films Coen brothers distribution independent cinema New Hollywood production Sam Raimi screenwriter script studio independent Working Title Assouly, Julie Les frères Coen, cinéastes indépendants : l'importance d'une indépendance scénaristique |
| topic_facet |
cinéma indépendant Circle Films distribution frères Coen Nouvel Hollywood production Sam Raimi scénario scénariste studio independent Working Title Circle films Coen brothers distribution independent cinema New Hollywood production Sam Raimi screenwriter script studio independent Working Title |
| description |
The Coen Brothers have been labeled as independent filmmakers ever since they started their career in the middle of the 1980s, and are still considered independent today in spite of their frequent collaborations with the Hollywood studios. This status, quite uncommon in Hollywood, of “emancipated” directors, is made clear through their aesthetic and, to a lesser extent, ideological independence. Their position as directors/producers/screenwriters/editors also provides them with what I will call their “screenwriting independence”. Nevertheless, the questioning of their independent status over the last ten years seems to be related to the financing of some of their films. To what extent are the Coen brothers still independent filmmakers when they collaborate with majors? How does their status as director-writers participate in their independence? Eventually, can we consider the possibility of an alternative way in which the Coens could appear as precursors? |
| author |
Assouly, Julie |
| author_facet |
Assouly, Julie |
| author_sort |
Assouly, Julie |
| title |
Les frères Coen, cinéastes indépendants : l'importance d'une indépendance scénaristique |
| title_short |
Les frères Coen, cinéastes indépendants : l'importance d'une indépendance scénaristique |
| title_full |
Les frères Coen, cinéastes indépendants : l'importance d'une indépendance scénaristique |
| title_fullStr |
Les frères Coen, cinéastes indépendants : l'importance d'une indépendance scénaristique |
| title_full_unstemmed |
Les frères Coen, cinéastes indépendants : l'importance d'une indépendance scénaristique |
| title_sort |
les frères coen, cinéastes indépendants : l'importance d'une indépendance scénaristique |
| publishDate |
2014 |
| container_title |
|
| container_issue |
|
| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2013-2-page-28?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.136.0028 |
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