« A Walk in the Woods of Music »
John Cage’s musical and poetic practice is characterized by his rejection of mimesis. While this reflects his attachment to a type of artistic modernity pioneered by Mallarmé, as Derrida argues in « La Double Séance », Cage appears no less determined to challenge the very idea of writing : since the...
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2013
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |