Mimesis travestie, ou le « modernisme épuré » de William H. Gass
Although everything from Cartesian skepticism to Schoenberg’s twelve-tone system of composition has been evoked in discussing the formal logic of William Gass’s novel, The Tunnel (1995), this paper argues that this logic is fundamentally speculative, in the Hegelian sense of the term, and furthermo...
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
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2013
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |