La Scène originaire ou la représentation impossible dans « The Fall of the House of Usher »
Far from psychobiography and “textual psychoanalysis,” this article probes into the all-informing fantasy of the Primal Scene in Poe’s “Fall of the House of Usher.” It seeks to demonstrate, by relying on Marin, Rancière and Rosolato, that a pre-Freudian work of art can resort to an intuition of repr...
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
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2013
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |