L'artiste faussaire et la création du réel : The Brooklyn Follies de Paul Auster
Since his debut as a poet, Paul Auster has pursued his metaphysical investigations in a semiotic world where signs are everywhere to be read, where doubts about authenticity and forgery are ubiquitous. In The Brooklyn Follies (2005), the multiplicity of originals and facsimiles, the silence/speech...
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| Formato: | Article ou chapitre numérique |
| Lenguaje: | Français |
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2013
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| Acceso en línea: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_133_0038 |
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cairn-RFEA_133_0038RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2012-3-page-38?lang=fr https://doi.org/10.3917/rfea.133.0038 L'artiste faussaire et la création du réel : The Brooklyn Follies de Paul Auster Hugonnier, François2013 11 septembrehyperréalitéindiciblepharmakonreprésentationreproductiontémoignage9/11hyperrealitypharmakonrepresentationreproductiontestimonyunspeakablefre Revue française d’études américaines | 133 | 3 | 2013-05-01 | p. 38-52 | 0397-7870 RFEA_13358 Since his debut as a poet, Paul Auster has pursued his metaphysical investigations in a semiotic world where signs are everywhere to be read, where doubts about authenticity and forgery are ubiquitous. In The Brooklyn Follies (2005), the multiplicity of originals and facsimiles, the silence/speech duality and the architectural metaphors lead to the final vision of the attacks on the World Trade Center. As the reminiscences of the confusio linguarum contribute to the novel’s plot, Paul Auster represents 9/11 “obliquely” and reaffirms the role of language and the imagination in the rebuilding of truth.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
11 septembre hyperréalité indicible pharmakon représentation reproduction témoignage 9/11 hyperreality pharmakon representation reproduction testimony unspeakable |
| spellingShingle |
11 septembre hyperréalité indicible pharmakon représentation reproduction témoignage 9/11 hyperreality pharmakon representation reproduction testimony unspeakable Hugonnier, François L'artiste faussaire et la création du réel : The Brooklyn Follies de Paul Auster |
| topic_facet |
11 septembre hyperréalité indicible pharmakon représentation reproduction témoignage 9/11 hyperreality pharmakon representation reproduction testimony unspeakable |
| description |
Since his debut as a poet, Paul Auster has pursued his metaphysical investigations in a semiotic world where signs are everywhere to be read, where doubts about authenticity and forgery are ubiquitous. In The Brooklyn Follies (2005), the multiplicity of originals and facsimiles, the silence/speech duality and the architectural metaphors lead to the final vision of the attacks on the World Trade Center. As the reminiscences of the confusio linguarum contribute to the novel’s plot, Paul Auster represents 9/11 “obliquely” and reaffirms the role of language and the imagination in the rebuilding of truth. |
| author |
Hugonnier, François |
| author_facet |
Hugonnier, François |
| author_sort |
Hugonnier, François |
| title |
L'artiste faussaire et la création du réel : The Brooklyn Follies de Paul Auster |
| title_short |
L'artiste faussaire et la création du réel : The Brooklyn Follies de Paul Auster |
| title_full |
L'artiste faussaire et la création du réel : The Brooklyn Follies de Paul Auster |
| title_fullStr |
L'artiste faussaire et la création du réel : The Brooklyn Follies de Paul Auster |
| title_full_unstemmed |
L'artiste faussaire et la création du réel : The Brooklyn Follies de Paul Auster |
| title_sort |
l'artiste faussaire et la création du réel : the brooklyn follies de paul auster |
| publishDate |
2013 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2012-3-page-38?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.133.0038 |
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