Le virtuel : les avatars d'une notion entre philosophie et nouveaux médias
The word « virtual » evokes both a significant technological quality of recent digital media and a key concept in the philosophy of Gilles Deleuze. This has led many theoreticians of new media to treat both usages of the term as being essentially identical. This is a highly problematical move, since...
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2012
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cairn-RFEA_128_0079RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2011-2-page-79?lang=fr https://doi.org/10.3917/rfea.128.0079 Le virtuel : les avatars d'une notion entre philosophie et nouveaux médias Abrioux, Yves2012 Alain Badiouart numériqueFrench theoryGilles ChâteletGilles Deleuzele virtuellittérature numériquemedia studiesmédias numériquessciencetechnologieAlain Badioudigital artdigital literaturedigital mediaFrench theoryGilles ChâteletGilles Deleuzemedia studiessciencetechnologythe virtualfre Revue française d’études américaines | 128 | 2 | 2012-02-01 | p. 79-98 | 0397-7870 RFEA_12872 The word « virtual » evokes both a significant technological quality of recent digital media and a key concept in the philosophy of Gilles Deleuze. This has led many theoreticians of new media to treat both usages of the term as being essentially identical. This is a highly problematical move, since it has the effect of reducing Deleuze’s concept of the virtual to that of the possible, in spite of the philosopher’s repeated strictures to the contrary. American theoreticians have probably been no guiltier than their French counterparts of this tendency, which has the effect of blunting an understanding of the capacities of digital media. This article begins by reviewing critically the use of references to Deleuze in American media studies before going on to underline that Deleuzian scholarship in America itself suggests a way out of the ensuing impasse and to suggest that French thought would benefit from approaching the issues raised by new technologies by way of the critical reception encountered in America by Alain Badiou and Gilles Châtelet as well as by Deleuze himself.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
Alain Badiou art numérique French theory Gilles Châtelet Gilles Deleuze le virtuel littérature numérique media studies médias numériques science technologie Alain Badiou digital art digital literature digital media French theory Gilles Châtelet Gilles Deleuze media studies science technology the virtual |
| spellingShingle |
Alain Badiou art numérique French theory Gilles Châtelet Gilles Deleuze le virtuel littérature numérique media studies médias numériques science technologie Alain Badiou digital art digital literature digital media French theory Gilles Châtelet Gilles Deleuze media studies science technology the virtual Abrioux, Yves Le virtuel : les avatars d'une notion entre philosophie et nouveaux médias |
| topic_facet |
Alain Badiou art numérique French theory Gilles Châtelet Gilles Deleuze le virtuel littérature numérique media studies médias numériques science technologie Alain Badiou digital art digital literature digital media French theory Gilles Châtelet Gilles Deleuze media studies science technology the virtual |
| description |
The word « virtual » evokes both a significant technological quality of recent digital media and a key concept in the philosophy of Gilles Deleuze. This has led many theoreticians of new media to treat both usages of the term as being essentially identical. This is a highly problematical move, since it has the effect of reducing Deleuze’s concept of the virtual to that of the possible, in spite of the philosopher’s repeated strictures to the contrary. American theoreticians have probably been no guiltier than their French counterparts of this tendency, which has the effect of blunting an understanding of the capacities of digital media. This article begins by reviewing critically the use of references to Deleuze in American media studies before going on to underline that Deleuzian scholarship in America itself suggests a way out of the ensuing impasse and to suggest that French thought would benefit from approaching the issues raised by new technologies by way of the critical reception encountered in America by Alain Badiou and Gilles Châtelet as well as by Deleuze himself. |
| author |
Abrioux, Yves |
| author_facet |
Abrioux, Yves |
| author_sort |
Abrioux, Yves |
| title |
Le virtuel : les avatars d'une notion entre philosophie et nouveaux médias |
| title_short |
Le virtuel : les avatars d'une notion entre philosophie et nouveaux médias |
| title_full |
Le virtuel : les avatars d'une notion entre philosophie et nouveaux médias |
| title_fullStr |
Le virtuel : les avatars d'une notion entre philosophie et nouveaux médias |
| title_full_unstemmed |
Le virtuel : les avatars d'une notion entre philosophie et nouveaux médias |
| title_sort |
le virtuel : les avatars d'une notion entre philosophie et nouveaux médias |
| publishDate |
2012 |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2011-2-page-79?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.128.0079 |
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