L'esthétique mécaniste dans la musique américaine

This article presents and analyzes the piano music of four twentieth-century American composers — George Antheil, Henry Cowell, George Crumb, and Conlon Nancarrow — who all share an interest in mechanisms and mechanistic conceptions of art. Using as a theoretical framework the concept of the “techno...

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Autor principal: Cazé, Antoine
Formato: Article ou chapitre numérique
Idioma:Français
Publicado em: 2008
Assuntos:
Acesso em linha:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RFEA_117_0065
record_format cairn
spelling cairn-RFEA_117_0065RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2008-3-page-65?lang=fr https://doi.org/10.3917/rfea.117.0065 L'esthétique mécaniste dans la musique américaine Cazé, Antoine2008 AntheilCowellCrumbmachinemusique pour pianoNancarrowperformancesublimeAntheilCowellCrumbmachineNancarrowperformancepiano musicsublimefre Revue française d’études américaines | 117 | 3 | 2008-12-09 | p. 65-84 | 0397-7870 RFEA_11767 This article presents and analyzes the piano music of four twentieth-century American composers — George Antheil, Henry Cowell, George Crumb, and Conlon Nancarrow — who all share an interest in mechanisms and mechanistic conceptions of art. Using as a theoretical framework the concept of the “technological sublime” first proposed by Leo Marx, we intend to show that the radical calling into question of the limit separating the human from the machine in the music of these composers is not the product of an eccentric avant-garde but, on the contrary, is at the center of an American artistic ethos characterized by the problematic relation between the organic and the mechanic. We suggest that what we call an “aesthetic tension” at the heart of such piano music raises issues of performance that are crucial to understanding how the aesthetic and pragmatic dimensions of art are interrelated.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
topic Antheil
Cowell
Crumb
machine
musique pour piano
Nancarrow
performance
sublime
Antheil
Cowell
Crumb
machine
Nancarrow
performance
piano music
sublime
spellingShingle Antheil
Cowell
Crumb
machine
musique pour piano
Nancarrow
performance
sublime
Antheil
Cowell
Crumb
machine
Nancarrow
performance
piano music
sublime
Cazé, Antoine
L'esthétique mécaniste dans la musique américaine
topic_facet Antheil
Cowell
Crumb
machine
musique pour piano
Nancarrow
performance
sublime
Antheil
Cowell
Crumb
machine
Nancarrow
performance
piano music
sublime
description This article presents and analyzes the piano music of four twentieth-century American composers — George Antheil, Henry Cowell, George Crumb, and Conlon Nancarrow — who all share an interest in mechanisms and mechanistic conceptions of art. Using as a theoretical framework the concept of the “technological sublime” first proposed by Leo Marx, we intend to show that the radical calling into question of the limit separating the human from the machine in the music of these composers is not the product of an eccentric avant-garde but, on the contrary, is at the center of an American artistic ethos characterized by the problematic relation between the organic and the mechanic. We suggest that what we call an “aesthetic tension” at the heart of such piano music raises issues of performance that are crucial to understanding how the aesthetic and pragmatic dimensions of art are interrelated.
author Cazé, Antoine
author_facet Cazé, Antoine
author_sort Cazé, Antoine
title L'esthétique mécaniste dans la musique américaine
title_short L'esthétique mécaniste dans la musique américaine
title_full L'esthétique mécaniste dans la musique américaine
title_fullStr L'esthétique mécaniste dans la musique américaine
title_full_unstemmed L'esthétique mécaniste dans la musique américaine
title_sort l'esthétique mécaniste dans la musique américaine
publishDate 2008
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2008-3-page-65?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.117.0065
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