Adresse lyrique et refus de correspondre dans la poésie de Frank O'Hara
Hovering between biographical precision and lyrical elaboration, Frank O’Hara’s poems are often addressed to friends and lovers. As the mock manifesto “Personism” reveals, the issue of communication lies at the heart of his poetics : instead of picking up the telephone, the poet, O’Hara says, can wr...
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| 格式: | Article ou chapitre numérique |
| 语言: | Français |
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2007
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| 在线阅读: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_112_0080RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2007-2-page-80?lang=fr https://doi.org/10.3917/rfea.112.0080 Adresse lyrique et refus de correspondre dans la poésie de Frank O'Hara Brossard, Olivier2007 écriture et communicationF. O'HaraK. KochL. Riverslittérature épistolairelyrisme et autobiographiepoésie américaineAmerican poetryepistolary writingF. O'HaraK. KochL. Riversliterature and communicationlyricism and autobiographyfre Revue française d’études américaines | 112 | 2 | 2007-10-12 | p. 80-94 | 0397-7870 RFEA_11280 Hovering between biographical precision and lyrical elaboration, Frank O’Hara’s poems are often addressed to friends and lovers. As the mock manifesto “Personism” reveals, the issue of communication lies at the heart of his poetics : instead of picking up the telephone, the poet, O’Hara says, can write a poem to the person he wanted to call. Instead of writing letters, O’Hara wrote a number of epistolary poems to his would-be addressees. Feeding on aborted telephone calls and unwritten letters, O’Hara’s lyricism explores a new mode of communication, which he deemed more “personal”. His poems create the illusion of an ongoing conversation between friends and lovers, while really aspiring to “the ideal possibility of not communicating” (Kaufmann). Perverting the impulse to communicate even as it claims to be nourished by it, Frank O’Hara’s poetry calls for the dispersion of the author’s voice by invoking the reader, who eavesdrops on every exchange, yet whose intervention is necessary to the poem’s survival. O’Hara’s messages never seem to reach their addressees without giving them the reassuring or disheartening impression that they are not alone in receiving them.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
écriture et communication F. O'Hara K. Koch L. Rivers littérature épistolaire lyrisme et autobiographie poésie américaine American poetry epistolary writing F. O'Hara K. Koch L. Rivers literature and communication lyricism and autobiography |
| spellingShingle |
écriture et communication F. O'Hara K. Koch L. Rivers littérature épistolaire lyrisme et autobiographie poésie américaine American poetry epistolary writing F. O'Hara K. Koch L. Rivers literature and communication lyricism and autobiography Brossard, Olivier Adresse lyrique et refus de correspondre dans la poésie de Frank O'Hara |
| topic_facet |
écriture et communication F. O'Hara K. Koch L. Rivers littérature épistolaire lyrisme et autobiographie poésie américaine American poetry epistolary writing F. O'Hara K. Koch L. Rivers literature and communication lyricism and autobiography |
| description |
Hovering between biographical precision and lyrical elaboration, Frank O’Hara’s poems are often addressed to friends and lovers. As the mock manifesto “Personism” reveals, the issue of communication lies at the heart of his poetics : instead of picking up the telephone, the poet, O’Hara says, can write a poem to the person he wanted to call. Instead of writing letters, O’Hara wrote a number of epistolary poems to his would-be addressees. Feeding on aborted telephone calls and unwritten letters, O’Hara’s lyricism explores a new mode of communication, which he deemed more “personal”. His poems create the illusion of an ongoing conversation between friends and lovers, while really aspiring to “the ideal possibility of not communicating” (Kaufmann). Perverting the impulse to communicate even as it claims to be nourished by it, Frank O’Hara’s poetry calls for the dispersion of the author’s voice by invoking the reader, who eavesdrops on every exchange, yet whose intervention is necessary to the poem’s survival. O’Hara’s messages never seem to reach their addressees without giving them the reassuring or disheartening impression that they are not alone in receiving them. |
| author |
Brossard, Olivier |
| author_facet |
Brossard, Olivier |
| author_sort |
Brossard, Olivier |
| title |
Adresse lyrique et refus de correspondre dans la poésie de Frank O'Hara |
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Adresse lyrique et refus de correspondre dans la poésie de Frank O'Hara |
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Adresse lyrique et refus de correspondre dans la poésie de Frank O'Hara |
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Adresse lyrique et refus de correspondre dans la poésie de Frank O'Hara |
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Adresse lyrique et refus de correspondre dans la poésie de Frank O'Hara |
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adresse lyrique et refus de correspondre dans la poésie de frank o'hara |
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2007 |
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https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2007-2-page-80?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.112.0080 |
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