Portraits à la lettre : la correspondance d'Emerson et de Carlyle

This study offers to read the correspondence between Emerson and Carlyle as a series of self-portraits where Emerson appears alternately, and sometimes simultaneously, under the guise of the friend, the literary agent, the vanishing self, and the author. Using the concept of “iconography,” it argues...

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Wedi'i Gadw mewn:
Manylion Llyfryddiaeth
Prif Awdur: Constantinesco, Thomas
Fformat: Article ou chapitre numérique
Iaith:Français
Cyhoeddwyd: 2007
Pynciau:
Mynediad Ar-lein:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RFEA_112_0016
record_format cairn
spelling cairn-RFEA_112_0016RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2007-2-page-16?lang=fr https://doi.org/10.3917/rfea.112.0016 Portraits à la lettre : la correspondance d'Emerson et de Carlyle Constantinesco, Thomas2007 correspondencedaguerréotypeiconographieportraitR. W. EmersonT. CarlylecorrespondencedaguerreotypeiconographyportraitR. W. EmersonT. Carlylefre Revue française d’études américaines | 112 | 2 | 2007-10-12 | p. 16-31 | 0397-7870 RFEA_11276 This study offers to read the correspondence between Emerson and Carlyle as a series of self-portraits where Emerson appears alternately, and sometimes simultaneously, under the guise of the friend, the literary agent, the vanishing self, and the author. Using the concept of “iconography,” it argues that Emerson reinvests the traditional characteristics of epistolary writing (such as fragmentation, incompletion, and dynamics), in order to compose a self-portrait in motion and to create a paradoxical, as well as ever incomplete, image of himself in which each trait belies another.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
topic correspondence
daguerréotype
iconographie
portrait
R. W. Emerson
T. Carlyle
correspondence
daguerreotype
iconography
portrait
R. W. Emerson
T. Carlyle
spellingShingle correspondence
daguerréotype
iconographie
portrait
R. W. Emerson
T. Carlyle
correspondence
daguerreotype
iconography
portrait
R. W. Emerson
T. Carlyle
Constantinesco, Thomas
Portraits à la lettre : la correspondance d'Emerson et de Carlyle
topic_facet correspondence
daguerréotype
iconographie
portrait
R. W. Emerson
T. Carlyle
correspondence
daguerreotype
iconography
portrait
R. W. Emerson
T. Carlyle
description This study offers to read the correspondence between Emerson and Carlyle as a series of self-portraits where Emerson appears alternately, and sometimes simultaneously, under the guise of the friend, the literary agent, the vanishing self, and the author. Using the concept of “iconography,” it argues that Emerson reinvests the traditional characteristics of epistolary writing (such as fragmentation, incompletion, and dynamics), in order to compose a self-portrait in motion and to create a paradoxical, as well as ever incomplete, image of himself in which each trait belies another.
author Constantinesco, Thomas
author_facet Constantinesco, Thomas
author_sort Constantinesco, Thomas
title Portraits à la lettre : la correspondance d'Emerson et de Carlyle
title_short Portraits à la lettre : la correspondance d'Emerson et de Carlyle
title_full Portraits à la lettre : la correspondance d'Emerson et de Carlyle
title_fullStr Portraits à la lettre : la correspondance d'Emerson et de Carlyle
title_full_unstemmed Portraits à la lettre : la correspondance d'Emerson et de Carlyle
title_sort portraits à la lettre : la correspondance d'emerson et de carlyle
publishDate 2007
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2007-2-page-16?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.112.0016
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