Ellison avec Barthes : occultation et désoccultation du « canon ethnique » dans Erasure de Percival Everett

Erasure is a work so replete with various forms of parody and pastiche that these strategies of rewriting constitute its thematic and formal core. The protagonist, Thelonious “Monk” Ellison, is himself an African American parodist, but one of his endeavors backfires, forcing him to play the neo-min...

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Detalhes bibliográficos
Autor principal: Feith, Michel
Formato: Article ou chapitre numérique
Idioma:Français
Publicado em: 2007
Assuntos:
Acesso em linha:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

Internet

https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2006-4-page-61?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.110.0061