Muésie et poésique aux États-Unis ?
This article explores the limits between music and poetry. It has often been argued that music and poetry entertain no more than analogical relations. From Mallarmé to Cage, the boundaries between the two arts have considerably melted. In the 1960s and 1970s John Cage managed to open them up in his...
Bewaard in:
| Hoofdauteur: | |
|---|---|
| Formaat: | Article ou chapitre numérique |
| Taal: | Français |
| Gepubliceerd in: |
2007
|
| Onderwerpen: | |
| Online toegang: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
cairn-RFEA_109_0054 |
|---|---|
| record_format |
cairn |
| spelling |
cairn-RFEA_109_0054RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2006-3-page-54?lang=fr https://doi.org/10.3917/rfea.109.0054 Muésie et poésique aux États-Unis ? Broqua, Vincent2007 E. PoundJ. CagemusiquepoésietypographieE. PoundJ. Cagemusicpoetrytypographyfre Revue française d’études américaines | 109 | 3 | 2007-01-15 | p. 54-68 | 0397-7870 RFEA_10937 This article explores the limits between music and poetry. It has often been argued that music and poetry entertain no more than analogical relations. From Mallarmé to Cage, the boundaries between the two arts have considerably melted. In the 1960s and 1970s John Cage managed to open them up in his musical and textual hybridizations. For instance, his Song Books (1970) “textualize” music as well as they “musicalize” texts. His scores are thus poems in their own right and his poetic performances ( Mureau, Empty Words, Roaratorio...) are also to be heard as music.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
E. Pound J. Cage musique poésie typographie E. Pound J. Cage music poetry typography |
| spellingShingle |
E. Pound J. Cage musique poésie typographie E. Pound J. Cage music poetry typography Broqua, Vincent Muésie et poésique aux États-Unis ? |
| topic_facet |
E. Pound J. Cage musique poésie typographie E. Pound J. Cage music poetry typography |
| description |
This article explores the limits between music and poetry. It has often been argued that music and poetry entertain no more than analogical relations. From Mallarmé to Cage, the boundaries between the two arts have considerably melted. In the 1960s and 1970s John Cage managed to open them up in his musical and textual hybridizations. For instance, his Song Books (1970) “textualize” music as well as they “musicalize” texts. His scores are thus poems in their own right and his poetic performances ( Mureau, Empty Words, Roaratorio...) are also to be heard as music. |
| author |
Broqua, Vincent |
| author_facet |
Broqua, Vincent |
| author_sort |
Broqua, Vincent |
| title |
Muésie et poésique aux États-Unis ? |
| title_short |
Muésie et poésique aux États-Unis ? |
| title_full |
Muésie et poésique aux États-Unis ? |
| title_fullStr |
Muésie et poésique aux États-Unis ? |
| title_full_unstemmed |
Muésie et poésique aux États-Unis ? |
| title_sort |
muésie et poésique aux états-unis ? |
| publishDate |
2007 |
| container_title |
|
| container_issue |
|
| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2006-3-page-54?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.109.0054 |
| _version_ |
1877246549258403840 |