La couleur du réel. La photographie couleur(s) a-t-elle un sens ? (États-Unis 1960-1990)
Color is a central epistemological issue in photography. This article looks at the emergence of the use of color in creative American photography in the 1960s-1980s, focussing particularly on the works of Stephen Shore, William Eggleston, and Joel Meyerowitz. It argues for a sociological and not onl...
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| Médium: | Article ou chapitre numérique |
| Jazyk: | Français |
| Vydáno: |
2005
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Shrnutí: | Color is a central epistemological issue in photography. This article looks at the emergence of the use of color in creative American photography in the 1960s-1980s, focussing particularly on the works of Stephen Shore, William Eggleston, and Joel Meyerowitz. It argues for a sociological and not only aesthetic explanation for the late introduction of color in creative practices, and suggests that the fast development of color photography paradoxically indicates a distancing with reality and a crisis of the faith in the power and meaning of objects. |
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