Rebonds : Le mythe des musiciens de jazz américains à Paris dans les années 1960 : une révision de l'histoire contemporaine
American jazz musicians in the 1960s perceived France as a land of exile and welcome ; they helped create the myth of a “golden age of jazz” in Paris. This historical period still rings with nostalgia and feeds the current myth and actions of the French cultural establishment. Based on a corpus of i...
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| Главный автор: | |
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| Формат: | Article ou chapitre numérique |
| Язык: | Français |
| Опубликовано: |
2005
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| Предметы: | |
| Online-ссылка: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Итог: | American jazz musicians in the 1960s perceived France as a land of exile and welcome ; they helped create the myth of a “golden age of jazz” in Paris. This historical period still rings with nostalgia and feeds the current myth and actions of the French cultural establishment. Based on a corpus of interviews collected for the monthly journal, Jazz Hot, this article explores the process by which such a myth was constructed and maintained. The author analyzes how positive representations of cultural confrontation were manipulated by French decision-makers, to serve their political and ideological purposes, sometimes to the detriment of the artists. |
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