Techno, House et musiques électroniques populaires aux États-Unis
In assessing the American character of a musical genre that has only become part of American popular culture in the past twenty years, one is likely to be misled. Certainly, there is a general agreement on the role played by black artists in Chicago, New York and Detroit. But that does not settle th...
সংরক্ষণ করুন:
| প্রধান লেখক: | |
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| বিন্যাস: | Article ou chapitre numérique |
| ভাষা: | Français |
| প্রকাশিত: |
2005
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| বিষয়গুলি: | |
| অনলাইন ব্যবহার করুন: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_104_0050 |
|---|---|
| record_format |
cairn |
| spelling |
cairn-RFEA_104_0050RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2005-2-page-50?lang=fr https://doi.org/10.3917/rfea.104.0050 Techno, House et musiques électroniques populaires aux États-Unis Birgy, Philippe2005 houseindustrie musicalemusiques populairestechnotradition afro-américaineafro-american traditionhousepopular culturerecording industrytechnofre Revue française d’études américaines | 104 | 2 | 2005-06-01 | p. 50-62 | 0397-7870 RFEA_10465 In assessing the American character of a musical genre that has only become part of American popular culture in the past twenty years, one is likely to be misled. Certainly, there is a general agreement on the role played by black artists in Chicago, New York and Detroit. But that does not settle the question of the European influences that have gone into the making of this tradition. Techno and house would not have achieved their present fame and status without the subsequent extension of the genre in Europe. The very notion of establishing itself as a genre goes against the “living spirit” of the techno “scene.” Indeed, the ideology that drives it insists on transcending differences and overcoming boundaries, a priority that expresses itself in an aesthetics of collage, sampling and mixs. For those who support these claims, defining the origins of techno and setting it down on the map can only arrest the movement that animates it.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
house industrie musicale musiques populaires techno tradition afro-américaine afro-american tradition house popular culture recording industry techno |
| spellingShingle |
house industrie musicale musiques populaires techno tradition afro-américaine afro-american tradition house popular culture recording industry techno Birgy, Philippe Techno, House et musiques électroniques populaires aux États-Unis |
| topic_facet |
house industrie musicale musiques populaires techno tradition afro-américaine afro-american tradition house popular culture recording industry techno |
| description |
In assessing the American character of a musical genre that has only become part of American popular culture in the past twenty years, one is likely to be misled. Certainly, there is a general agreement on the role played by black artists in Chicago, New York and Detroit. But that does not settle the question of the European influences that have gone into the making of this tradition. Techno and house would not have achieved their present fame and status without the subsequent extension of the genre in Europe. The very notion of establishing itself as a genre goes against the “living spirit” of the techno “scene.” Indeed, the ideology that drives it insists on transcending differences and overcoming boundaries, a priority that expresses itself in an aesthetics of collage, sampling and mixs. For those who support these claims, defining the origins of techno and setting it down on the map can only arrest the movement that animates it. |
| author |
Birgy, Philippe |
| author_facet |
Birgy, Philippe |
| author_sort |
Birgy, Philippe |
| title |
Techno, House et musiques électroniques populaires aux États-Unis |
| title_short |
Techno, House et musiques électroniques populaires aux États-Unis |
| title_full |
Techno, House et musiques électroniques populaires aux États-Unis |
| title_fullStr |
Techno, House et musiques électroniques populaires aux États-Unis |
| title_full_unstemmed |
Techno, House et musiques électroniques populaires aux États-Unis |
| title_sort |
techno, house et musiques électroniques populaires aux états-unis |
| publishDate |
2005 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2005-2-page-50?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.104.0050 |
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1877246549036105729 |