« Poetry is having nothing to say and saying it; we possess nothing » (John Cage)

Dismantling the construction of syntax, Cage’s mesostics inscribe the name in the poem and indirectly send the reader back to the person, to the absent body made present and the text irredeemably related to its name. Cage makes syntax expendable, allowing for juxtaposition and opening onto new modes...

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Detalhes bibliográficos
Autor principal: Alfandary, Isabelle
Formato: Article ou chapitre numérique
Idioma:Français
Publicado em: 2005
Assuntos:
Acesso em linha:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

Internet

https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2005-1-page-104?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.103.0104