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Based on Slavoj Žižek’s reading of Hegelian and Lacanian theories, this article analyses the concept of the sublime in the filmic work of one of today’s most prominent filmmakers : David Lynch. We intend to show that the sublime in Lynch’s pictures can be described in terms of what the narrative (th...

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Bibliographic Details
Main Author: Battesti, Anne
Format: Article ou chapitre numérique
Language:Français
Published: 2004
Online Access:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM

Internet

https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2004-1-page-83?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.099.0083