Bibliographie sélective

Based on Slavoj Žižek’s reading of Hegelian and Lacanian theories, this article analyses the concept of the sublime in the filmic work of one of today’s most prominent filmmakers : David Lynch. We intend to show that the sublime in Lynch’s pictures can be described in terms of what the narrative (th...

Description complète

Enregistré dans:
Détails bibliographiques
Auteur principal: Battesti, Anne
Format: Article ou chapitre numérique
Langue:Français
Publié: 2004
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RFEA_099_0083
record_format cairn
spelling cairn-RFEA_099_0083RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2004-1-page-83?lang=fr https://doi.org/10.3917/rfea.099.0083 Bibliographie sélective Battesti, Anne2004 fre Revue française d’études américaines | 99 | 1 | 2004-02-01 | p. 83-84 | 0397-7870 RFEA_09934 Based on Slavoj Žižek’s reading of Hegelian and Lacanian theories, this article analyses the concept of the sublime in the filmic work of one of today’s most prominent filmmakers : David Lynch. We intend to show that the sublime in Lynch’s pictures can be described in terms of what the narrative (the field of representation) fails to represent, to make sense of or to assimilate, that is to say what, by quoting Lacan, Žižek defines as the Real : the emptiness, the central impossibility embedded in the reality principle.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Based on Slavoj Žižek’s reading of Hegelian and Lacanian theories, this article analyses the concept of the sublime in the filmic work of one of today’s most prominent filmmakers : David Lynch. We intend to show that the sublime in Lynch’s pictures can be described in terms of what the narrative (the field of representation) fails to represent, to make sense of or to assimilate, that is to say what, by quoting Lacan, Žižek defines as the Real : the emptiness, the central impossibility embedded in the reality principle.
author Battesti, Anne
spellingShingle Battesti, Anne
Bibliographie sélective
author_facet Battesti, Anne
author_sort Battesti, Anne
title Bibliographie sélective
title_short Bibliographie sélective
title_full Bibliographie sélective
title_fullStr Bibliographie sélective
title_full_unstemmed Bibliographie sélective
title_sort bibliographie sélective
publishDate 2004
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2004-1-page-83?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.099.0083
_version_ 1877246548792836096