Détermination du concept de sublime dans l'œuvre de David Lynch
Based on Slavoj Žižek’s reading of Hegelian and Lacanian theories, this article analyses the concept of the sublime in the filmic work of one of today’s most prominent filmmakers : David Lynch. We intend to show that the sublime in Lynch’s pictures can be described in terms of what the narrative (th...
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| Médium: | Article ou chapitre numérique |
| Jazyk: | Français |
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2004
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_099_0072RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2004-1-page-72?lang=fr https://doi.org/10.3917/rfea.099.0072 Détermination du concept de sublime dans l'œuvre de David Lynch Foubert, Jean2004 D. LynchéalitééelekSublimeD. LynchekRealRealitySublimefre Revue française d’études américaines | 99 | 1 | 2004-02-01 | p. 72-82 | 0397-7870 RFEA_09933 Based on Slavoj Žižek’s reading of Hegelian and Lacanian theories, this article analyses the concept of the sublime in the filmic work of one of today’s most prominent filmmakers : David Lynch. We intend to show that the sublime in Lynch’s pictures can be described in terms of what the narrative (the field of representation) fails to represent, to make sense of or to assimilate, that is to say what, by quoting Lacan, Žižek defines as the Real : the emptiness, the central impossibility embedded in the reality principle.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
D. Lynch éalité éel ek Sublime D. Lynch ek Real Reality Sublime |
| spellingShingle |
D. Lynch éalité éel ek Sublime D. Lynch ek Real Reality Sublime Foubert, Jean Détermination du concept de sublime dans l'œuvre de David Lynch |
| topic_facet |
D. Lynch éalité éel ek Sublime D. Lynch ek Real Reality Sublime |
| description |
Based on Slavoj Žižek’s reading of Hegelian and Lacanian theories, this article analyses the concept of the sublime in the filmic work of one of today’s most prominent filmmakers : David Lynch. We intend to show that the sublime in Lynch’s pictures can be described in terms of what the narrative (the field of representation) fails to represent, to make sense of or to assimilate, that is to say what, by quoting Lacan, Žižek defines as the Real : the emptiness, the central impossibility embedded in the reality principle. |
| author |
Foubert, Jean |
| author_facet |
Foubert, Jean |
| author_sort |
Foubert, Jean |
| title |
Détermination du concept de sublime dans l'œuvre de David Lynch |
| title_short |
Détermination du concept de sublime dans l'œuvre de David Lynch |
| title_full |
Détermination du concept de sublime dans l'œuvre de David Lynch |
| title_fullStr |
Détermination du concept de sublime dans l'œuvre de David Lynch |
| title_full_unstemmed |
Détermination du concept de sublime dans l'œuvre de David Lynch |
| title_sort |
détermination du concept de sublime dans l'œuvre de david lynch |
| publishDate |
2004 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2004-1-page-72?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.099.0072 |
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