Le sublime américain : rhétorique et inscription du sujet dans The Icebergs de F. E. Church
A dominant mode in mid-XIXth century American painting, the sublime does not involve following a specific program for representing landscape. What it does entail, however, is a peculiar type of relationship between the painter and his pictures. This article discusses the case of The Icebe...
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
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2004
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |