Academic Journals and Publications: Mapping the Territories

Academic Journals and Publications: Mapping the Territories

In O Brother, Where Art Thou? and Mystery Train the Coen brothers and Jim Jarmusch choose the state of Mississippi and the city of Memphis, Tennessee as the settings of their heroes’ peregrinations. Music permeates Joel Coen’s and Jim Jarmusch’s cinematic spaces, so much that it influences their n...

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Glavni avtor: Antolin, Pascale
Format: Article ou chapitre numérique
Jezik:Français
Izdano: 2003
Online dostop:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RFEA_098_0116RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2003-4-page-116?lang=en https://doi.org/10.3917/rfea.098.0116 Academic Journals and Publications: Mapping the Territories Antolin, Pascale2003 fre Revue française d’études américaines | 98 | 4 | 2003-12-01 | p. 116-137 | 0397-7870 RFEA_09827 In O Brother, Where Art Thou? and Mystery Train the Coen brothers and Jim Jarmusch choose the state of Mississippi and the city of Memphis, Tennessee as the settings of their heroes’ peregrinations. Music permeates Joel Coen’s and Jim Jarmusch’s cinematic spaces, so much that it influences their narrative and stylistic perspectives and structures their works. The aim of this paper is to examine how the Coen brothers’ and Jarmusch’s choice of the musical field as a territory for their reconstructions of the South enables them to collate distinct artistic domains and genres in their representations of “border incidents” between stories, legends and history.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description In O Brother, Where Art Thou? and Mystery Train the Coen brothers and Jim Jarmusch choose the state of Mississippi and the city of Memphis, Tennessee as the settings of their heroes’ peregrinations. Music permeates Joel Coen’s and Jim Jarmusch’s cinematic spaces, so much that it influences their narrative and stylistic perspectives and structures their works. The aim of this paper is to examine how the Coen brothers’ and Jarmusch’s choice of the musical field as a territory for their reconstructions of the South enables them to collate distinct artistic domains and genres in their representations of “border incidents” between stories, legends and history.
author Antolin, Pascale
spellingShingle Antolin, Pascale
Academic Journals and Publications: Mapping the Territories
author_facet Antolin, Pascale
author_sort Antolin, Pascale
title Academic Journals and Publications: Mapping the Territories
title_short Academic Journals and Publications: Mapping the Territories
title_full Academic Journals and Publications: Mapping the Territories
title_fullStr Academic Journals and Publications: Mapping the Territories
title_full_unstemmed Academic Journals and Publications: Mapping the Territories
title_sort academic journals and publications: mapping the territories
publishDate 2003
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2003-4-page-116?lang=en
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.098.0116
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