Academic Journals and Publications: Mapping the Territories
In O Brother, Where Art Thou? and Mystery Train the Coen brothers and Jim Jarmusch choose the state of Mississippi and the city of Memphis, Tennessee as the settings of their heroes’ peregrinations. Music permeates Joel Coen’s and Jim Jarmusch’s cinematic spaces, so much that it influences their n...
Đã lưu trong:
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| Định dạng: | Article ou chapitre numérique |
| Ngôn ngữ: | Français |
| Được phát hành: |
2003
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| Truy cập trực tuyến: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| Tóm tắt: | In O Brother, Where Art Thou? and Mystery Train the Coen brothers and Jim Jarmusch choose the state of Mississippi and the city of Memphis, Tennessee as the settings of their heroes’ peregrinations. Music permeates Joel Coen’s and Jim Jarmusch’s cinematic spaces, so much that it influences their narrative and stylistic perspectives and structures their works. The aim of this paper is to examine how the Coen brothers’ and Jarmusch’s choice of the musical field as a territory for their reconstructions of the South enables them to collate distinct artistic domains and genres in their representations of “border incidents” between stories, legends and history. |
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