In and Along the Mississippi
In O Brother, Where Art Thou? and Mystery Train the Coen brothers and Jim Jarmusch choose the state of Mississippi and the city of Memphis, Tennessee as the settings of their heroes’ peregrinations. Music permeates Joel Coen’s and Jim Jarmusch’s cinematic spaces, so much that it influences their n...
Enregistré dans:
| Auteur principal: | |
|---|---|
| Format: | Article ou chapitre numérique |
| Langue: | Français |
| Publié: |
2003
|
| Sujets: | |
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
cairn-RFEA_098_0099 |
|---|---|
| record_format |
cairn |
| spelling |
cairn-RFEA_098_0099RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2003-4-page-99?lang=en https://doi.org/10.3917/rfea.098.0099 In and Along the Mississippi Gonzalez, Éric2003 E. CoenémaJ. JarmuschMemphisMississippiMusique folkloriqueMusique populaireCinemaE. CoenFolk musicJ. JarmuschMemphisMississippiPopular musicfre Revue française d’études américaines | 98 | 4 | 2003-12-01 | p. 99-110 | 0397-7870 RFEA_09823 In O Brother, Where Art Thou? and Mystery Train the Coen brothers and Jim Jarmusch choose the state of Mississippi and the city of Memphis, Tennessee as the settings of their heroes’ peregrinations. Music permeates Joel Coen’s and Jim Jarmusch’s cinematic spaces, so much that it influences their narrative and stylistic perspectives and structures their works. The aim of this paper is to examine how the Coen brothers’ and Jarmusch’s choice of the musical field as a territory for their reconstructions of the South enables them to collate distinct artistic domains and genres in their representations of “border incidents” between stories, legends and history.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| topic |
E. Coen éma J. Jarmusch Memphis Mississippi Musique folklorique Musique populaire Cinema E. Coen Folk music J. Jarmusch Memphis Mississippi Popular music |
| spellingShingle |
E. Coen éma J. Jarmusch Memphis Mississippi Musique folklorique Musique populaire Cinema E. Coen Folk music J. Jarmusch Memphis Mississippi Popular music Gonzalez, Éric In and Along the Mississippi |
| topic_facet |
E. Coen éma J. Jarmusch Memphis Mississippi Musique folklorique Musique populaire Cinema E. Coen Folk music J. Jarmusch Memphis Mississippi Popular music |
| description |
In O Brother, Where Art Thou? and Mystery Train the Coen brothers and Jim Jarmusch choose the state of Mississippi and the city of Memphis, Tennessee as the settings of their heroes’ peregrinations. Music permeates Joel Coen’s and Jim Jarmusch’s cinematic spaces, so much that it influences their narrative and stylistic perspectives and structures their works. The aim of this paper is to examine how the Coen brothers’ and Jarmusch’s choice of the musical field as a territory for their reconstructions of the South enables them to collate distinct artistic domains and genres in their representations of “border incidents” between stories, legends and history. |
| author |
Gonzalez, Éric |
| author_facet |
Gonzalez, Éric |
| author_sort |
Gonzalez, Éric |
| title |
In and Along the Mississippi |
| title_short |
In and Along the Mississippi |
| title_full |
In and Along the Mississippi |
| title_fullStr |
In and Along the Mississippi |
| title_full_unstemmed |
In and Along the Mississippi |
| title_sort |
in and along the mississippi |
| publishDate |
2003 |
| container_title |
|
| container_issue |
|
| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2003-4-page-99?lang=en https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.098.0099 |
| _version_ |
1877246548783398912 |