L'invention de la Chine par Maxine Hong Kingston

As second-generation immigrants, Kingston’s protagonists are trapped within the confines of the myths and stories through which they apprehend their mother country. Kingston helps them reshape and appropriate their cultural heritage by devising a new form of writing blending the different modes of r...

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Glavni avtor: Perrin-Chenour, Marie-Claude
Format: Article ou chapitre numérique
Jezik:Français
Izdano: 2003
Teme:
Online dostop:Accès Université d'Orléans et IFPM
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id cairn-RFEA_096_0034
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spelling cairn-RFEA_096_0034RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2003-2-page-34?lang=fr https://doi.org/10.3917/rfea.096.0034 L'invention de la Chine par Maxine Hong Kingston Perrin-Chenour, Marie-Claude2003 ChineM. Hong KingstonôturePeintureSilenceVideChinaConfinementM. Hong KingstonPaintingSilenceVoidfre Revue française d’études américaines | 96 | 2 | 2003-05-01 | p. 34-46 | 0397-7870 RFEA_09685 As second-generation immigrants, Kingston’s protagonists are trapped within the confines of the myths and stories through which they apprehend their mother country. Kingston helps them reshape and appropriate their cultural heritage by devising a new form of writing blending the different modes of representation of their two cultures : the epic legend (inherited, collective) and the novel (creative, individual). She also deliberately distorts her syntax and weaves ideograms through her sentences in order to produce a hybrid genre closely resembling the art of calligraphy, itself a cross between two artistic forms : painting and writing. In so doing, she not only adapts Chinese aesthetics to a Western text but conveys one of the fundamental tenets of Taoist philosophy, i.e. completeness can only be found in a state of void, or in-betweenness, in a constant fluxional movement (or metamorphosis) between two fixed and opposite entities.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
topic Chine
M. Hong Kingston
ôture
Peinture
Silence
Vide
China
Confinement
M. Hong Kingston
Painting
Silence
Void
spellingShingle Chine
M. Hong Kingston
ôture
Peinture
Silence
Vide
China
Confinement
M. Hong Kingston
Painting
Silence
Void
Perrin-Chenour, Marie-Claude
L'invention de la Chine par Maxine Hong Kingston
topic_facet Chine
M. Hong Kingston
ôture
Peinture
Silence
Vide
China
Confinement
M. Hong Kingston
Painting
Silence
Void
description As second-generation immigrants, Kingston’s protagonists are trapped within the confines of the myths and stories through which they apprehend their mother country. Kingston helps them reshape and appropriate their cultural heritage by devising a new form of writing blending the different modes of representation of their two cultures : the epic legend (inherited, collective) and the novel (creative, individual). She also deliberately distorts her syntax and weaves ideograms through her sentences in order to produce a hybrid genre closely resembling the art of calligraphy, itself a cross between two artistic forms : painting and writing. In so doing, she not only adapts Chinese aesthetics to a Western text but conveys one of the fundamental tenets of Taoist philosophy, i.e. completeness can only be found in a state of void, or in-betweenness, in a constant fluxional movement (or metamorphosis) between two fixed and opposite entities.
author Perrin-Chenour, Marie-Claude
author_facet Perrin-Chenour, Marie-Claude
author_sort Perrin-Chenour, Marie-Claude
title L'invention de la Chine par Maxine Hong Kingston
title_short L'invention de la Chine par Maxine Hong Kingston
title_full L'invention de la Chine par Maxine Hong Kingston
title_fullStr L'invention de la Chine par Maxine Hong Kingston
title_full_unstemmed L'invention de la Chine par Maxine Hong Kingston
title_sort l'invention de la chine par maxine hong kingston
publishDate 2003
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2003-2-page-34?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.096.0034
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