The Good Negress de A.J. Verdelle ou la religion du quotidien

The Good Negress (1996) stems from Black American novelist A.J. Verdelle’s interest in the differences in how boys and girls are raised. This paper examines the author’s handling of time and structure to foreground the symbolical significance of the heroine’s daily routine as well as her struggle t...

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Auteur principal: Ullmo, Anne
Format: Article ou chapitre numérique
Langue:Français
Publié: 2002
Sujets:
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RFEA_094_0100RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2002-4-page-100?lang=fr https://doi.org/10.3917/rfea.094.0100 The Good Negress de A.J. Verdelle ou la religion du quotidien Ullmo, Anne2002 A.J. VerdelleGood NegressLangueôles sexuelsRythmeA.J. VerdelleGenderGood NegressLanguageRhythmfre Revue française d’études américaines | 94 | 4 | 2002-12-01 | p. 100-105 | 0397-7870 RFEA_09470 The Good Negress (1996) stems from Black American novelist A.J. Verdelle’s interest in the differences in how boys and girls are raised. This paper examines the author’s handling of time and structure to foreground the symbolical significance of the heroine’s daily routine as well as her struggle to acquire “the language of the nation”. It shows how Verdelle contrives to juxtapose the heroine’s religious observance of domestic rites and the expression of a hysteria inherited from slavery. By playing on the assonantic couple Taut/taught, A.J. Verdelle highlights the ontological dimension of a quest inseparable from the beats and syncopated rhythms of the black community’s Gospel.Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
topic A.J. Verdelle
Good Negress
Langue
ôles sexuels
Rythme
A.J. Verdelle
Gender
Good Negress
Language
Rhythm
spellingShingle A.J. Verdelle
Good Negress
Langue
ôles sexuels
Rythme
A.J. Verdelle
Gender
Good Negress
Language
Rhythm
Ullmo, Anne
The Good Negress de A.J. Verdelle ou la religion du quotidien
topic_facet A.J. Verdelle
Good Negress
Langue
ôles sexuels
Rythme
A.J. Verdelle
Gender
Good Negress
Language
Rhythm
description The Good Negress (1996) stems from Black American novelist A.J. Verdelle’s interest in the differences in how boys and girls are raised. This paper examines the author’s handling of time and structure to foreground the symbolical significance of the heroine’s daily routine as well as her struggle to acquire “the language of the nation”. It shows how Verdelle contrives to juxtapose the heroine’s religious observance of domestic rites and the expression of a hysteria inherited from slavery. By playing on the assonantic couple Taut/taught, A.J. Verdelle highlights the ontological dimension of a quest inseparable from the beats and syncopated rhythms of the black community’s Gospel.
author Ullmo, Anne
author_facet Ullmo, Anne
author_sort Ullmo, Anne
title The Good Negress de A.J. Verdelle ou la religion du quotidien
title_short The Good Negress de A.J. Verdelle ou la religion du quotidien
title_full The Good Negress de A.J. Verdelle ou la religion du quotidien
title_fullStr The Good Negress de A.J. Verdelle ou la religion du quotidien
title_full_unstemmed The Good Negress de A.J. Verdelle ou la religion du quotidien
title_sort good negress de a.j. verdelle ou la religion du quotidien
publishDate 2002
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2002-4-page-100?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.094.0100
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