Suggestions bibliographiques

Suggestions bibliographiques

Among the various concepts of image in DeLillo’s fiction, this study investigates what it problematically defines as the evident image (in its industrial forms: photography, television, video). Its symptomatic qualities (impact, denotation, expressiveness) make it a sharp instrument for questioning...

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Autor principal: Tréguer, Florian
Format: Article ou chapitre numérique
Idioma:Français
Publicat: 2001
Accés en línia:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
id cairn-RFEA_089_0113
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spelling cairn-RFEA_089_0113RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-3-page-113?lang=fr https://doi.org/10.3917/rfea.089.0113 Suggestions bibliographiques Tréguer, Florian2001 fre Revue française d’études américaines | 89 | 3 | 2001-06-01 | p. 113-115 | 0397-7870 RFEA_08998 Among the various concepts of image in DeLillo’s fiction, this study investigates what it problematically defines as the evident image (in its industrial forms: photography, television, video). Its symptomatic qualities (impact, denotation, expressiveness) make it a sharp instrument for questioning the characters’ dealings with signs and confronting them with their fascination for truer than life representations. On account of its essential elusiveness, it is also limitative: it upsets perceptual habits and destabilizes language insofar as it becomes incapable of grasping experience. To go beyond this stage of critical recognition, the character/viewer regularly attempts to deconstruct the image, isolate its element of obviousness, through compulsive manipulations (of which repeating, freezing and enlarging are three exemplary forms).Cairn free access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description Among the various concepts of image in DeLillo’s fiction, this study investigates what it problematically defines as the evident image (in its industrial forms: photography, television, video). Its symptomatic qualities (impact, denotation, expressiveness) make it a sharp instrument for questioning the characters’ dealings with signs and confronting them with their fascination for truer than life representations. On account of its essential elusiveness, it is also limitative: it upsets perceptual habits and destabilizes language insofar as it becomes incapable of grasping experience. To go beyond this stage of critical recognition, the character/viewer regularly attempts to deconstruct the image, isolate its element of obviousness, through compulsive manipulations (of which repeating, freezing and enlarging are three exemplary forms).
author Tréguer, Florian
spellingShingle Tréguer, Florian
Suggestions bibliographiques
author_facet Tréguer, Florian
author_sort Tréguer, Florian
title Suggestions bibliographiques
title_short Suggestions bibliographiques
title_full Suggestions bibliographiques
title_fullStr Suggestions bibliographiques
title_full_unstemmed Suggestions bibliographiques
title_sort suggestions bibliographiques
publishDate 2001
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-3-page-113?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.089.0113
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