Vers une image symptomatique : Don DeLillo et la crise de l'évidence
Among the various concepts of image in DeLillo’s fiction, this study investigates what it problematically defines as the evident image (in its industrial forms: photography, television, video). Its symptomatic qualities (impact, denotation, expressiveness) make it a sharp instrument for questioning...
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| Format: | Article ou chapitre numérique |
| Langue: | Français |
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2001
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| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_089_0098RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-3-page-98?lang=fr https://doi.org/10.3917/rfea.089.0098 Vers une image symptomatique : Don DeLillo et la crise de l'évidence Tréguer, Florian2001 fre Revue française d’études américaines | 89 | 3 | 2001-06-01 | p. 98-112 | 0397-7870 RFEA_08997 Among the various concepts of image in DeLillo’s fiction, this study investigates what it problematically defines as the evident image (in its industrial forms: photography, television, video). Its symptomatic qualities (impact, denotation, expressiveness) make it a sharp instrument for questioning the characters’ dealings with signs and confronting them with their fascination for truer than life representations. On account of its essential elusiveness, it is also limitative: it upsets perceptual habits and destabilizes language insofar as it becomes incapable of grasping experience. To go beyond this stage of critical recognition, the character/viewer regularly attempts to deconstruct the image, isolate its element of obviousness, through compulsive manipulations (of which repeating, freezing and enlarging are three exemplary forms).Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
Among the various concepts of image in DeLillo’s fiction, this study investigates what it problematically defines as the evident image (in its industrial forms: photography, television, video). Its symptomatic qualities (impact, denotation, expressiveness) make it a sharp instrument for questioning the characters’ dealings with signs and confronting them with their fascination for truer than life representations. On account of its essential elusiveness, it is also limitative: it upsets perceptual habits and destabilizes language insofar as it becomes incapable of grasping experience. To go beyond this stage of critical recognition, the character/viewer regularly attempts to deconstruct the image, isolate its element of obviousness, through compulsive manipulations (of which repeating, freezing and enlarging are three exemplary forms). |
| author |
Tréguer, Florian |
| spellingShingle |
Tréguer, Florian Vers une image symptomatique : Don DeLillo et la crise de l'évidence |
| author_facet |
Tréguer, Florian |
| author_sort |
Tréguer, Florian |
| title |
Vers une image symptomatique : Don DeLillo et la crise de l'évidence |
| title_short |
Vers une image symptomatique : Don DeLillo et la crise de l'évidence |
| title_full |
Vers une image symptomatique : Don DeLillo et la crise de l'évidence |
| title_fullStr |
Vers une image symptomatique : Don DeLillo et la crise de l'évidence |
| title_full_unstemmed |
Vers une image symptomatique : Don DeLillo et la crise de l'évidence |
| title_sort |
vers une image symptomatique : don delillo et la crise de l'évidence |
| publishDate |
2001 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-3-page-98?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.089.0098 |
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