Cinéma fantastique : échanges critiques France/États-Unis
This article aims at explaining first how Hollywood fantastic cinema has gradually achieved recognition thanks to the pioneer work carried out in specialised journals and fan magazines and also to the developing of theoretical studies which have stimulated the interest of film critics. It then exami...
Enregistré dans:
| Auteur principal: | |
|---|---|
| Format: | Article ou chapitre numérique |
| Langue: | Français |
| Publié: |
2001
|
| Accès en ligne: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| id |
cairn-RFEA_088_0062 |
|---|---|
| record_format |
cairn |
| spelling |
cairn-RFEA_088_0062RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-2-page-62?lang=fr https://doi.org/10.3917/rfea.088.0062 Cinéma fantastique : échanges critiques France/États-Unis Menegaldo, Gilles2001 fre Revue française d’études américaines | 88 | 2 | 2001-04-01 | p. 62-78 | 0397-7870 RFEA_08875 This article aims at explaining first how Hollywood fantastic cinema has gradually achieved recognition thanks to the pioneer work carried out in specialised journals and fan magazines and also to the developing of theoretical studies which have stimulated the interest of film critics. It then examines more specifically the way in which French theory has influenced American criticism in the genre despite some discrepancies in terms of approach and method. Lastly, it shows there are some positive signs foretelling increasing exchanges between French and American scholars.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
This article aims at explaining first how Hollywood fantastic cinema has gradually achieved recognition thanks to the pioneer work carried out in specialised journals and fan magazines and also to the developing of theoretical studies which have stimulated the interest of film critics. It then examines more specifically the way in which French theory has influenced American criticism in the genre despite some discrepancies in terms of approach and method. Lastly, it shows there are some positive signs foretelling increasing exchanges between French and American scholars. |
| author |
Menegaldo, Gilles |
| spellingShingle |
Menegaldo, Gilles Cinéma fantastique : échanges critiques France/États-Unis |
| author_facet |
Menegaldo, Gilles |
| author_sort |
Menegaldo, Gilles |
| title |
Cinéma fantastique : échanges critiques France/États-Unis |
| title_short |
Cinéma fantastique : échanges critiques France/États-Unis |
| title_full |
Cinéma fantastique : échanges critiques France/États-Unis |
| title_fullStr |
Cinéma fantastique : échanges critiques France/États-Unis |
| title_full_unstemmed |
Cinéma fantastique : échanges critiques France/États-Unis |
| title_sort |
cinéma fantastique : échanges critiques france/états-unis |
| publishDate |
2001 |
| container_title |
|
| container_issue |
|
| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-2-page-62?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.088.0062 |
| _version_ |
1877246548298956800 |