Cinéma fantastique : échanges critiques France/États-Unis
This article aims at explaining first how Hollywood fantastic cinema has gradually achieved recognition thanks to the pioneer work carried out in specialised journals and fan magazines and also to the developing of theoretical studies which have stimulated the interest of film critics. It then exami...
保存先:
| 第一著者: | |
|---|---|
| フォーマット: | Article ou chapitre numérique |
| 言語: | Français |
| 出版事項: |
2001
|
| オンライン･アクセス: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
| 要約: | This article aims at explaining first how Hollywood fantastic cinema has gradually achieved recognition thanks to the pioneer work carried out in specialised journals and fan magazines and also to the developing of theoretical studies which have stimulated the interest of film critics. It then examines more specifically the way in which French theory has influenced American criticism in the genre despite some discrepancies in terms of approach and method. Lastly, it shows there are some positive signs foretelling increasing exchanges between French and American scholars. |
|---|