Transatlantiques : l'influence française sur la recherche en cinéma aux États-Unis
This is an attempt to describe and assess the reciprocal influences of American film and film studies on the one hand, and French writing about American films, on the other hand. After a historical reminder of the last forty years and their great theoretical issues, a brief interlude is devoted to t...
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| Médium: | Article ou chapitre numérique |
| Jazyk: | Français |
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2001
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| On-line přístup: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |
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cairn-RFEA_088_0006 |
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cairn-RFEA_088_0006RFEARevue française d’études américaines https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-2-page-6?lang=fr https://doi.org/10.3917/rfea.088.0006 Transatlantiques : l'influence française sur la recherche en cinéma aux États-Unis Sipière, Dominique2001 fre Revue française d’études américaines | 88 | 2 | 2001-04-01 | p. 6-28 | 0397-7870 RFEA_08871 This is an attempt to describe and assess the reciprocal influences of American film and film studies on the one hand, and French writing about American films, on the other hand. After a historical reminder of the last forty years and their great theoretical issues, a brief interlude is devoted to the example of the extreme diversity of approaches dealing with one specific film maker (Alfred Hitchcock). The last part suggests a more general classification between the successive (instead of exclusive) layers of “explication” and “interpretation”, and it tries to assess what each continent brought to film spectators and film studies.Cairn free access |
| language |
Français |
| format |
Article ou chapitre numérique |
| building |
0/Bibliothèque numérique/ 1/Bibliothèque numérique/Cairn/ |
| description |
This is an attempt to describe and assess the reciprocal influences of American film and film studies on the one hand, and French writing about American films, on the other hand. After a historical reminder of the last forty years and their great theoretical issues, a brief interlude is devoted to the example of the extreme diversity of approaches dealing with one specific film maker (Alfred Hitchcock). The last part suggests a more general classification between the successive (instead of exclusive) layers of “explication” and “interpretation”, and it tries to assess what each continent brought to film spectators and film studies. |
| author |
Sipière, Dominique |
| spellingShingle |
Sipière, Dominique Transatlantiques : l'influence française sur la recherche en cinéma aux États-Unis |
| author_facet |
Sipière, Dominique |
| author_sort |
Sipière, Dominique |
| title |
Transatlantiques : l'influence française sur la recherche en cinéma aux États-Unis |
| title_short |
Transatlantiques : l'influence française sur la recherche en cinéma aux États-Unis |
| title_full |
Transatlantiques : l'influence française sur la recherche en cinéma aux États-Unis |
| title_fullStr |
Transatlantiques : l'influence française sur la recherche en cinéma aux États-Unis |
| title_full_unstemmed |
Transatlantiques : l'influence française sur la recherche en cinéma aux États-Unis |
| title_sort |
transatlantiques : l'influence française sur la recherche en cinéma aux états-unis |
| publishDate |
2001 |
| container_title |
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| container_issue |
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| url |
https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-francaise-d-etudes-americaines-2001-2-page-6?lang=fr https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rfea.088.0006 |
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