À bas les dopés, au sommet les doués ?
When one thinks about the relationship between jazz and cinema, only one film immediately comes to mind — Ascenseur pour l’échafaud (1957). The collaboration between Louis Malle and Miles Davis in that movie marked the beginning of a brief love affair between film and Afro-American music. Long befor...
Salvato in:
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| Natura: | Article ou chapitre numérique |
| Lingua: | Français |
| Pubblicazione: |
2016
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| Accesso online: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |