Hadrien Viraben, Le savant et le profane. Documents et monuments de l’impressionnisme (1900-1939), Dijon, Les Presses du réel, 2021, 370 p., 57 ill.
In 1888, the French artist Jean-François Raffaëlli painted a full-length portrait of the writer Edmond de Goncourt in his home. The work was the first of several joint projects the pair would embark on between 1888 and 1890. Perhaps no other work would challenge Raffaëlli’s approach more fundamental...
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| Formato: | Article ou chapitre numérique |
| Idioma: | Français |
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2024
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| Acceso en liña: | Accès Université d'Orléans et IFPM Accès Université d'Orléans et IFPM |