Manet à Londres (1872-1876) : la modernité française à travers le prisme victorien

Manet à Londres (1872-1876) : la modernité française à travers le prisme victorien

This article seeks to reveal, on the one hand, the modalities of Edouard Manet’s presence on the British art scene as well as on the British art market between 1872 and 1876, and on the other hand to analyze his critical reception.In 1870, Paul Durand-Ruel acquired the German Gallery at 168 New Bond...

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Auteur principal: Lemniaï, Gabrielle
Format: Article ou chapitre numérique
Langue:Français
Publié: 2024
Accès en ligne:Accès Université d'Orléans et IFPM
Accès Université d'Orléans et IFPM
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spelling cairn-RDA_223_0054RDARevue de l'art https://shs.cairn.info/revue-de-l-art-2024-1-page-54?lang=fr https://doi.org/10.3917/rda.223.0054 Manet à Londres (1872-1876) : la modernité française à travers le prisme victorien Lemniaï, Gabrielle2024 fre Revue de l'art | 223 | 1 | 2024-04-23 | p. 54-63 | 0035-1326 RDA_22386 This article seeks to reveal, on the one hand, the modalities of Edouard Manet’s presence on the British art scene as well as on the British art market between 1872 and 1876, and on the other hand to analyze his critical reception.In 1870, Paul Durand-Ruel acquired the German Gallery at 168 New Bond Street, in order to continue his activity despite the Franco-Prussian conflict that had brought the French art market to a standstill. Up until 1875, he orchestrated a series of exhibitions in this gallery under the patronage of the fictitious Society of French Artists, which, in reality, constituted a showcase for his own stock that included several works by Edouard Manet beginning in 1872. This article therefore aims at establishing as completely as possible, the body of the artist’s works shown to the public in London between 1872 and 1876, mainly through the Society’s exhibitions, but also, more marginally, through other events. It seeks to question the influence of British artistic culture and criticism on the very selection of these works. Why was it thought that they would be successful across the Channel? It also examines their reception based on an important body of articles from the art press.Cairn restricted access
language Français
format Article ou chapitre numérique
building 0/Bibliothèque numérique/
1/Bibliothèque numérique/Cairn/
description This article seeks to reveal, on the one hand, the modalities of Edouard Manet’s presence on the British art scene as well as on the British art market between 1872 and 1876, and on the other hand to analyze his critical reception.In 1870, Paul Durand-Ruel acquired the German Gallery at 168 New Bond Street, in order to continue his activity despite the Franco-Prussian conflict that had brought the French art market to a standstill. Up until 1875, he orchestrated a series of exhibitions in this gallery under the patronage of the fictitious Society of French Artists, which, in reality, constituted a showcase for his own stock that included several works by Edouard Manet beginning in 1872. This article therefore aims at establishing as completely as possible, the body of the artist’s works shown to the public in London between 1872 and 1876, mainly through the Society’s exhibitions, but also, more marginally, through other events. It seeks to question the influence of British artistic culture and criticism on the very selection of these works. Why was it thought that they would be successful across the Channel? It also examines their reception based on an important body of articles from the art press.
author Lemniaï, Gabrielle
spellingShingle Lemniaï, Gabrielle
Manet à Londres (1872-1876) : la modernité française à travers le prisme victorien
author_facet Lemniaï, Gabrielle
author_sort Lemniaï, Gabrielle
title Manet à Londres (1872-1876) : la modernité française à travers le prisme victorien
title_short Manet à Londres (1872-1876) : la modernité française à travers le prisme victorien
title_full Manet à Londres (1872-1876) : la modernité française à travers le prisme victorien
title_fullStr Manet à Londres (1872-1876) : la modernité française à travers le prisme victorien
title_full_unstemmed Manet à Londres (1872-1876) : la modernité française à travers le prisme victorien
title_sort manet à londres (1872-1876) : la modernité française à travers le prisme victorien
publishDate 2024
container_title
container_issue
url https://ezproxy.univ-orleans.fr/login?url=https://shs.cairn.info/revue-de-l-art-2024-1-page-54?lang=fr
https://ezproxy.univ-orleans.fr/login?url=https://doi.org/10.3917/rda.223.0054
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